y2stevo
New member
Hi Guys,
I have an SSS G&L legacy, bridseye maple neck with kinmans
Bridge:SCn
Middle:AVn-69
Neck: AVn-69
Positions 1-4 (or is it 2 to 5?) sound fantastic and are all very much usable tone-wise!
But the bridge postion (position 1 or 5?) is much too bright. If I roll off the treble on the PTB system so that the bridge sounds good to me, the rest of the positions sound way too dull.
I'd really like to have a bridge pickup that can give me a darker fuller sound but at the same time that it's not overly loud compared to the (What I interpret as ) low output kinmans, to add a bit of versatility to it to cover some classic rock rhythm tones with it, maybe something PAF-ish. I'd like to keep the class strat look if at all possible too but not to worry if not
Looking through the tone charts on the Seymour Duncan and Dimarzio sites it seems dark and low output are mutually exclusive, am I wrong here?
Thanks for any input guys.
Much appreciated.
P.S.
I've attached a pic of the G&L
some silly previous owner replaced the fretboard and "upgraded" it to 24 frets, the last 2 frets are very much inaccessible but at some stage I will be getting the last 2 frets chopped off so I can get the neck pickup back where it belongs. :17:
I have an SSS G&L legacy, bridseye maple neck with kinmans
Bridge:SCn
Middle:AVn-69
Neck: AVn-69
Positions 1-4 (or is it 2 to 5?) sound fantastic and are all very much usable tone-wise!
But the bridge postion (position 1 or 5?) is much too bright. If I roll off the treble on the PTB system so that the bridge sounds good to me, the rest of the positions sound way too dull.
I'd really like to have a bridge pickup that can give me a darker fuller sound but at the same time that it's not overly loud compared to the (What I interpret as ) low output kinmans, to add a bit of versatility to it to cover some classic rock rhythm tones with it, maybe something PAF-ish. I'd like to keep the class strat look if at all possible too but not to worry if not
Looking through the tone charts on the Seymour Duncan and Dimarzio sites it seems dark and low output are mutually exclusive, am I wrong here?
Thanks for any input guys.
Much appreciated.
P.S.
I've attached a pic of the G&L
some silly previous owner replaced the fretboard and "upgraded" it to 24 frets, the last 2 frets are very much inaccessible but at some stage I will be getting the last 2 frets chopped off so I can get the neck pickup back where it belongs. :17: