STRATDELUXER97
Stratoblaster Tone Meister
I was inside of BluesNmettle's Tone Bone British Today and I replaced the stock JJ ECC83 with one of my NOS RCA Long Plate 12AX7s....I use a set of these in my Fender Cyber Twin also...They make things beefier and offer more gain and more output from my findings...
I told Darrin that there was something with the mids that bothered me with this pedal...Turns out that the pedal lacked the correct harmonic content and it acted flat and sterile to me with the JJ tube in there...
The RCA tube works great in the circuit..It gave the pedal a bit more gain(Which it doesn't lack)but it also opened the pedal's tone up alot..
Only slight adjustments were needed to retain great tonal settings going from my strat that has a Scremon Demon wired for split and series,and my Les Paul...The pedal retains great note articulation even at pretty high gain settings...Singing sustain is easy to get with this pedal and it is very british and in a Marshall way to my ears...I was able to keep my old 50 watt non-master volume Marshall settings very low and yet I still got ballsy bristish tones at lower amp volumes...This pedal is pricey,but I like it..
Inside the pedal is built really nice on a pcb with nice upgraded poly caps and metal film resistors....It uses jacks similar to what you see on Marshall amps and newer Crybaby pedals...The construction and mounting of the 12AX7 on a seperate circuit board looks strong also....I'm going to buy myself this pedal soon....
The only negative about the pedal,is the absence of an actual midrange pot instead of the 3 switch positions it has now...Other than this,I honestly couldn't tweak this pedal and change much about it....
Setting 1 (Plexi Marshall Kinda Tone)
Top End.....Flat
Voicing fat..Fat
Mid Boost...Out
Setting 2 (Modern Higher Gain Marshall) Great singing Lead tone and still good crunchy rhythm tones...Great volume control via the guitar between crunch and lead for solos...
Top End....Flat
Voicing.....Fat
Mid Boost... 7DB...
I enjoyed playing through this pedal and I'll probably buy one to have for my collection of cool pedals...
I told Darrin that there was something with the mids that bothered me with this pedal...Turns out that the pedal lacked the correct harmonic content and it acted flat and sterile to me with the JJ tube in there...
The RCA tube works great in the circuit..It gave the pedal a bit more gain(Which it doesn't lack)but it also opened the pedal's tone up alot..
Only slight adjustments were needed to retain great tonal settings going from my strat that has a Scremon Demon wired for split and series,and my Les Paul...The pedal retains great note articulation even at pretty high gain settings...Singing sustain is easy to get with this pedal and it is very british and in a Marshall way to my ears...I was able to keep my old 50 watt non-master volume Marshall settings very low and yet I still got ballsy bristish tones at lower amp volumes...This pedal is pricey,but I like it..
Inside the pedal is built really nice on a pcb with nice upgraded poly caps and metal film resistors....It uses jacks similar to what you see on Marshall amps and newer Crybaby pedals...The construction and mounting of the 12AX7 on a seperate circuit board looks strong also....I'm going to buy myself this pedal soon....
The only negative about the pedal,is the absence of an actual midrange pot instead of the 3 switch positions it has now...Other than this,I honestly couldn't tweak this pedal and change much about it....
Setting 1 (Plexi Marshall Kinda Tone)
Top End.....Flat
Voicing fat..Fat
Mid Boost...Out
Setting 2 (Modern Higher Gain Marshall) Great singing Lead tone and still good crunchy rhythm tones...Great volume control via the guitar between crunch and lead for solos...
Top End....Flat
Voicing.....Fat
Mid Boost... 7DB...
I enjoyed playing through this pedal and I'll probably buy one to have for my collection of cool pedals...