maples pretth bright, and is very clean and articulate, rosewood is darker, and has a deeper sort of tone, ebony is also pretty bright, really smooth and fast tooJALIN said:I`ve played all 3 and besides feel I can truly tell no difference between these other than each instruments as a whole itself.
like he said.HolyDirt said:maples pretth bright, and is very clean and articulate, rosewood is darker, and has a deeper sort of tone, ebony is also pretty bright, really smooth and fast too
7th Hell said:Fretboard wood has a larger impact on the overall tone of a guitar than one would think. After all- no single piece of wood other than the fretboard is in such close proximity to the vibrating strings and frets. I believe this tone shaping is due to soundwaves interacting with the fretboard material.
Maple- bright and crisp
Rosewood- warm and round
ebony- dark and fast
I wonder what a koa or korina fretboard would sound like? I once ordered a custom shop ESP that had an ebony fretboard. On the way over to NYC from Japan, the moisture from the shipping container expanded and contracted the fretboard until it had a very nasty crack running through it! All ebony fretboarders beware! Me- I prefer the warm, almost vocal-like tonal shapings offered from Rosewood.
59paul said:*** I have an Ebony fretboard on my Martin D-28. It feels more silky, and carries a little darker tone than my Gibson J-50, which has Rosewood.
sgstrat> No Doubt about it, the body wood plays a MAJOR role in the tone of these 2 guitars !!!! I also think the difference in the fretboards play a role, as well. The J-50 is more resonant. The D-28 Louder and Darker. With the strings vibrating the entire length of the scale, and the neck being a Big part of that scale, the fretboard HAS to come into play. ......sgstrat said:We could probably discuss this until the cows come home, but I would say the tonal difference here has much more to do with the body wood (rosewood for the D-28 vs. mahogany for the J-50). IMHO, of course.