Here`s the deal. I´ve scored a georgeous 2001 Gibson Les Paul Classic in lemondrop finish, plain top. Looks a lot like the Slash VOS Signature LP.
Right now it has installed a set of Slash APH-II`s. All 500k Gibson pots, orange drop .22 caps, MODERN WIRING.
I was thinkin bout wiring it up with 50`s style circuit... cant stand the modern wiring, the pots are like an on-off switch.
Since my LP has a super thin neck (60`s slim taper), maybe swapping the wiring to 50s style with the Slash set could transform the guitar into bright city. Dont get me wrong, I LOVE bright-y, twang-y LP tones like my 60s, 70s and 80s idols (Joe Walsh, Page, Slash, Perry, Ronson) but i play in my bedroom at moderate/low volume with my half stack (Marshall Vintage Modern 50w with Bogner/Carl Martin/MXR od/dist pedals into a 4x12 with Greenbacks).
The question is... maybe the SH-11 could be the perfect solution for this particular guitar, balancing the tone to avoid ending up with a thin sounding LP if i go with 50s wiring with orange drops + thin neck+ low volume situation? I´ve got a TB-11 in my BC Rich Gunslinger superstrat (alder/thin maple neck/single volume pot)) and it does great job fattening up that guitar, without mushing it up (instant EVH/Steve Stevens tone).
Right now it has installed a set of Slash APH-II`s. All 500k Gibson pots, orange drop .22 caps, MODERN WIRING.
I was thinkin bout wiring it up with 50`s style circuit... cant stand the modern wiring, the pots are like an on-off switch.
Since my LP has a super thin neck (60`s slim taper), maybe swapping the wiring to 50s style with the Slash set could transform the guitar into bright city. Dont get me wrong, I LOVE bright-y, twang-y LP tones like my 60s, 70s and 80s idols (Joe Walsh, Page, Slash, Perry, Ronson) but i play in my bedroom at moderate/low volume with my half stack (Marshall Vintage Modern 50w with Bogner/Carl Martin/MXR od/dist pedals into a 4x12 with Greenbacks).
The question is... maybe the SH-11 could be the perfect solution for this particular guitar, balancing the tone to avoid ending up with a thin sounding LP if i go with 50s wiring with orange drops + thin neck+ low volume situation? I´ve got a TB-11 in my BC Rich Gunslinger superstrat (alder/thin maple neck/single volume pot)) and it does great job fattening up that guitar, without mushing it up (instant EVH/Steve Stevens tone).