NegativeEase
New member
Re: Each pedal on pedalboard - connector in/out+true bypass - how much capacitance ad
I want to add that when I record -I don't have ANY pedal connection inline that is not used in the track and use short cabling from guitar to pre -and may effects are not used until mix so are to allow for creativity after the track is recorded. So I don't have nor have really ever had noise floor or capacitance issues pertaining to recording no matter what era or setup I've used or are using -so I consider you challenge you speak of as more of a live issue for the guitar player and never a problem for the actual audience (they don't know, can't hear it or care)
-so yeah maybe Mincer's "head" comment is fair to me -it's a slight real personal problem for guitarists with too many true bypass pedals or not enough strategic buffers playing live or wanting every pedal in the chain for recording -but in the end -only the guitarists knows or cares when performing and has an easy solution when recording.
Doesn't mean you shouldn't strive for excellence in your chain -but the weight of the issue is so not an issue
Mincers point was that this is in somebody's head and not a real problem - I beg to differ.
I think why this is of more concern today is that everybody can record at home - and every little bit counts when recording.
High end studios pay rediculous $1000's extra to get that tiny bit nicer sound for a single track.
But when summed up with 50 tracks just that little bit better - makes a huge difference to end result.
When you do record
- crap, is this how it sounds?
- this in not like records I listen to
- it need more of...
- it need less of...
This was not as available to everybody back in the day. I remember my first Fostex portastudio when it came - I felt now I have a studio.
Then I upgraded this and that, and computers and whatnot - and still had to do some sound-on-sound recording degrading result.
So I looked at reel-to-reel 16 channel Fostex - but could not afford that and sort of closed the project for good.
Anybody have a computer and do this with no effort today - what is missing is the skill how to arrange and mix to professional level.
ITB sound good - but as soon as you record something like guitar or vocals these skills matter. What gear in every little bit matter.
Anybody playing an instrument today probably do some recording stuff too and become more aware, at least try some.
It's really good to do that overall - you really hear what you play and not what is in your head while playing - which fools us - this was good.
Just a thought....
I want to add that when I record -I don't have ANY pedal connection inline that is not used in the track and use short cabling from guitar to pre -and may effects are not used until mix so are to allow for creativity after the track is recorded. So I don't have nor have really ever had noise floor or capacitance issues pertaining to recording no matter what era or setup I've used or are using -so I consider you challenge you speak of as more of a live issue for the guitar player and never a problem for the actual audience (they don't know, can't hear it or care)
-so yeah maybe Mincer's "head" comment is fair to me -it's a slight real personal problem for guitarists with too many true bypass pedals or not enough strategic buffers playing live or wanting every pedal in the chain for recording -but in the end -only the guitarists knows or cares when performing and has an easy solution when recording.
Doesn't mean you shouldn't strive for excellence in your chain -but the weight of the issue is so not an issue
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