Stratman
Guitaris Maximus
Nice little amp that has a lot of different settings.
Can be used at home, studio, and miked in barroom gigs.
Can be used at home, studio, and miked in barroom gigs.
Egnater Tweaker Head
15 W of cathode biased 6V6 power. A 12AX7 Preamp, a 12AX7 phase inverter, and a 12AX7 FX loop buffer.
The best and most unique features on this amp include several mini-toggles designed to tweak the amp's voice, and they deliver tweakabilty only outclassed by Mesa.
The basic voicing of the amp lies in USA mode. The character here is something in between the egnater voicing and a fender blackface voicing. One could say it is similar to the rebel 20's 6v6 mode, but with less compression, more sparkle, and what feels to me like less presence in the upper mids. It doesn't quite achieve the warmth or shimmer of a PRRI or DRRI, but I think it gets a little closer than a blues Jr. When overdriven it rides the line between "blackface-like" and "tweed-like" in EQ, based on how you set the mids, with the character of the breakup always being closer to a 6v6 blackface amp.
Switching to the AC mode cuts some mids and bass and adds treble in such a way as to add some airyness and some more bite. It lacks the crunch characteristics of the real thing, but it certainly gives the impression of playing a darker vox.
The Brit mode adds a bass and plenty of mids, and bumps the volume up a tad for more agressive breakup. I can't say this nails any particular british amp's sounds. It doesn't sound like a JCM800 or plexi on it's own, but when paired with a celestion speaker, one can get that they must have been going for something in that vein, as it certainly sounds "british". This mode has as much balls as the amp is capable of and enough gain to do hard rock.
the vintage/modern switch is pretty useful. In a given voice, the "vintage" side is the normal voicing of the amp. "Modern" adds bass and treble for a little more oomph and cut. I leave mine on "modern" a lot of the time because I like the added sparkle for clean sounds.
The clean/hot switch adds 9 db of gain. With the gain all the way up in clean mode, you get some into the lighter side of classic rock breakup. In hot mode, taking it past 1 o'clock gets you into smooth gain with plenty of sustain for playing most types of rock n roll.
Bright/normal adds treble the way a normal bright switch would, and it becomes less effective as the gain knob is turned up. I like to leave it on bright all the time, as it really adds to the fender and vox-like voices.
The tight/deep switch should be used depending on gain as well. Leave it on deep for the best bass response, unless you're playing past 1 o'clock in hot mode, where the deep switch starts to detract from the clarity of the amp.
Overall this amp comes reasonably close to blackface fender EQ, and does a decent impression on the other two voicings. There are a bunch of toggles, but they are so straightforward that it's actually very easy to pick a sound and stick with it.
The amp is quite dynamic, and you can get great cleans with your volume knob if you;re running the gain up high. Very touch-sensitive.
Because the amp is only 15W and is cathode biased, it gets rounder and more compressed at high output settings. It loses it's "punch" when it's really going. What you get as a trade-off is a "browner" sound, somewhat saturated, with a flowing sustain for leads.
Pros:
*Price!
*Warm and open feel, less compressed vs other egnaters
*3 modes to choose from and several tweaker toggles
*nice FX loop
(potential) Cons:
*lacks the punch of higher wattage amps
*doesn't dead-on nail any famous amps' sounds. Might leave you gassing for "the real thing" for any given amp voicing.
In closing, get it if you want a versatile amp that really rides the line between vintage and modern tone and feel. Its worth the price, even if all you ever use is one voicing.