Full Shred is...surprisingly bright.

Benjy_26

25's Nemesis
Hi everybody.

I recently purchased a Full Shred Trembucker, and, being a big fan of the Screamin' Demon, I replaced the hex screws closest to the bridge and installed it in a floyded Godin SD (24 frets, rosewood fingerboard, solverleaf maple body).

The generic, alnico V, ~5.5k single coils in the neck and middle sound pretty thick, even with the 500k pots in this guitar. I attribute this to the Gibson scale that this guitar sports. The FS is replacing a C5, that, to me, sounded kind of flat and dull. It was a generic humbucker sound without much push or crunch to it. I thought that the FS would be similar to the C5 with perhaps a bit more sparkle.

I was wrong.

The half-hex, half-fillister Full Shred is substantially tighter, brighter, and has a ton more grind than the C5 it replaced without giving up much in the low end. It's tighter, but about as big. The FS is a lot louder than the singles and is much more aggressive in the highs. I may leave it as is, because it IS a fun sound, or I may consider swapping in 6 more fillisters or even mag swapping to get it to be more tonally balanced across the 5 positions.

As it is, though, it's a screamer. Is it as tight and sparkly as the Demon? Not really. It also doesn't have as much of a "thunk" as the Demon when palm muting power chords and low string riffs, but a lot of the aggressive, crunchy character is there, along with some more muscle, which is nice.
 
There's a reason for tone pots on guitars and tone controls on amps, but if that doesn't cut it try gitting higher value tone caps. Replace 0.022uF ones with 0.047, 0.047 with 0.1 UF, etc.
 
I've never been to concerned with balancing the output of my pickups as long as the bridge is brighter and more powerful than the neck (or middle). So it sounds like you've achieved what I aim for.

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It is certainly the brightest bridge pickup I have tried. I am happy it is working for you.

Not going to lie, I was expecting it to be a bit more subdued than a Screamin' Demon, but it really isn't. It's just bigger.

As far as brightest bridge humbucker, I think for me it's a toss up between this and the Dimebucker.
 
I played a Full Shred in a Charvel shred stick several months ago. It didnt sound as bright as i expected it to be. Very unlike any other Duncan bridge pup I'd ever tried. The mids and low end were much more pronounced than the highs.

My WLH bridge was brighter to my ears, but that's in an Epi LP.
 
Have a TB-10 in my poplar-bodied Jackson DK2, and I don't find it particularly bright.my ash-bodied LTD ST-213 with a Hot Rails in the bridge sounds indeed brighter.
 
The half-hex, half-fillister Full Shred is substantially tighter, brighter, and has a ton more grind than the C5 it replaced without giving up much in the low end. It's tighter, but about as big. The FS is a lot louder than the singles and is much more aggressive in the highs. I may leave it as is, because it IS a fun sound, or I may consider swapping in 6 more fillisters or even mag swapping to get it to be more tonally balanced across the 5 positions.

As it is, though, it's a screamer. Is it as tight and sparkly as the Demon? Not really. It also doesn't have as much of a "thunk" as the Demon when palm muting power chords and low string riffs, but a lot of the aggressive, crunchy character is there, along with some more muscle, which is nice.

The full shred is a very interesting pickup for sure.

I bought a set to put in my basswood rg921. Holy bright city! I need the tone knob with these!
Needless to say, I didn't like the bridge for anything but high gain metal. The neck was cool but I put the dimarzio/ibz bridge back in.

I swapped a dactivator and then the full shred bridge into my mahogany rg520qs. OMG what a sound! Notes literally jump off the fretboard! The mahogany fullness filled out the low end perfectly. I also add a touch of bass at the amp as well. This sorta buries the highs a bit in the sound. Try it out. It works.

As it stands now, my rg520qs with the full shred out guns my rg3xxv with a super d.

I absolutely love it now. I put the FSn in too. I can't put the 520 down these days.

the wood most definitely matters

oh, and I have all filisters in mine currently. I can't really tell any difference if I'm being honest. Maybe there is a feel thing? Like a quicker attack or something with the hex poles.
I change back and forth regularly. One day I'll hear it.
 
That's why I'm so surprised at how bright the FS is in this guitar compared to the Custom 5 it replaced. In theory, the only difference I made was to replace six slugs with six hex screws. The character change is dramatic.

Makes the top more clicky and reduces the bass. To my ear, it doesn't add that much actual highs, but combined with the attack, and bass scooping makes the effect pretty pronounced. My favorite is Demon screws for the neck and double filister for the bridge. All the types of poles can serve a good purpose tho.
 
I know this thread is about the FR bridge and mine is still in the box waiting for some time to be installed, but I would like to say the neck model is such a great rhythm guitar, it really has a single coil vibe to it and love it, great for soloing but also for chords. Maybe I should get some time to install the bridge one this weekend and try the whole set once and for all.
 
So let me get this straight:

A pickup with an eq of 5/5/9. is bright? Hmmm...

IIRC, Duncan lists similar specs for the PGb when it comes to relative EQ. The FS is more aggressive than the PGb or even the PG+ IMO. It surprised me.
 
This thread is starting to give me gas.

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The Full Shred bridge is a FUN pickup. If I had one guitar, I probably would swap it for a Custom Custom or PGb, but, if you want a clear, loud, *aggressive* bridge tone, the FSb is very nice.
 
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