General brain-trust question: Does anyone make a "morph" pedal?

Zaphod B. Goode

New member
Something I've been Jonesin' for for years is... something I don't know whether it even exists: A pedal that would allow you to morph between two entirely different guitar voicings - like as gradually as your foot is able to, rather than a hard, instantaneous A-B-Y switch.

The point-source for this lunatic idea is a moment early in Mr. Fripp's "Space Groove II" from the ProjeKct Two "Space Groove" disc. He's jamming along in a normal, thick guitar voicing, and then he holds a long note and it just changes - into a full-blown Frippertronics voicing. Here's the clip, and the morph I'm talking about happens between 1:55 and 2:05 in this particular YT posting:

https://www.youtube.com/watch?v=KM7MjTaeb9Y

I'm thinking this was likely done in the studio, but it got me thinking: What if I could take a pedal - like maybe a standard pan pedal? - and use it to just glide between two different voicings (i.e., effects loops,) seamlessly. Would a pan pedal work for this? Has anyone ever heard of a pedal that allows this?

If nonesuch exists I'm offering this as a Dear Santa to the S-D R&D team as a possible new product. I can't be the only one weird enough to want something like this... ?

Cheers,
ZBG​​​​
 
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My GNX3000 pedal will do exactly that

its a multieffects pedal with a rocker pedal

You can assign the pedal to "morph:" between say:

A Fender and a cranked Marshall amp
Or a gained out Carvin and an acoustic simulation

Look at Digitech pedals

I dont know if there is a standalone rocker pedal that will
 
Sounds like it's just going into harmonic feedback like an amp that's overdriven hard. My Digitech Frequout pedal can do stuff like this..

 
Welcome to the forum!

As a big Fripp fan, I think what he is doing here is pretty easy to replicate with the right gear. I think he was using a Roland GP-100 for his soloing sounds back then. His solo is using the Sustainer pickup on his Fernandes, and when it changes, he simply flips a switch on his guitar to go into 'harmonic mode' which is an octave higher. He might also trigger some other filter on the GP-100 at the same time.
 
Something I've been Jonesin' for for years is... something I don't know whether it even exists: A pedal that would allow you to morph between two entirely different guitar voicings - like as gradually as your foot is able to, rather than a hard, instantaneous A-B-Y switch.

The point-source for this lunatic idea is a moment early in Mr. Fripp's "Space Groove II" from the ProjeKct Two "Space Groove" disc. He's jamming along in a normal, thick guitar voicing, and then he holds a long note and it just changes - into a full-blown Frippertronics voicing. Here's the clip, and the morph I'm talking about happens between 1:55 and 2:05 in this particular YT posting:

https://www.youtube.com/watch?v=KM7MjTaeb9Y

I'm thinking this was likely done in the studio, but it got me thinking: What if I could take a pedal - like maybe a standard pan pedal? - and use it to just glide between two different voicings (i.e., effects loops,) seamlessly. Would a pan pedal work for this? Has anyone ever heard of a pedal that allows this?

If nonesuch exists I'm offering this as a Dear Santa to the S-D R&D team as a possible new product. I can't be the only one weird enough to want something like this... ?

Cheers,
ZBG​​​​

I have a older Digitech 2112 SGS rack unit, let's say that I am playing Ozzy's " Can't Kill Rock n Roll", that has both acoustic guitar sims (w/a Behringer AM100 Acoustic Modeler) and a distorted guitar .

My 2112 has a seamless program that morphed distortion guitar sound fading into a new program / patch that is programmable from a few milliseconds to three seconds , fading while the acoustic passage is being played in real time, just like a studio edit.

That 2112 SGS Seamless feature and the two 12ax7 tubes are the reason I sold off my Eleven Rack unit .
 
i have a couple digitech x series pedals that have morph knobs, but maybe not exactly what you're describing. they're hella underrated, nonetheless
 
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