Check these out
I know you already ordered the Broadcaster set, but since you originally expressed interest in the Antiquity Tapped "Guitar Shop" set, but didn't want to drop Antiquity prices, you might also consider the STL-2T Hot for Tele, Tapped in the bridge position along with the STR-1 Vintage in the neck--with a 5-way switch. I've used that setup in a partscaster (ash body, maple board) and really loved it.
Cool, especially looking forward to comparison to the Texas Specials (since that's what my Tele has!)
Also, what's the difference between the control plates?
I bought a new Fender James Burton Standard Tele. The guitar itself is absolutely killer. The only thing I might change is the vintage ashtray bridge with 6 steel saddles. I might install a 3-brass saddle ashtray bridge. Don't know yet. Anyway, that model of guitar comes stock with a set of Fender Custom Shop Texas Special pickups. Are they nice? Yes, but I think I can do better; especially when I play my partscaster (my avatar) which has a set of Fender Tex Mex pickups and everybody, including me, likes their tone better. They really do sound good though.
So, I'm trying to think of what Duncan set I might want to replace them with. I'd love the '53 Tapped Tele® Model T "Guitar Shop" Set; but I can't swing $300 for that. So, I was thinking about either the Vintage Broadcaster set or a set like maybe the APTL-3JD with an APTR-1 in the neck. The APTR-1 can be really soft though.
The tone I'm going for is kind of on the border of vintage meets modern. I don't want a 1/4 lber or a Little 59. I want a tone that is genuine Tele but a little more....
My general take on Bill Lawrence pickups is that in general they favor accuracy over enhancement, if that makes sense. Bill's philosophy and goal was to build pickups that delivered the guitar's natural tone uncolored rather than having a personality of their own. He did this very well and the whole industry owes him a debt of gratitude I think, for advancing the frontiers of pickup design. Yet the result of this accuracy was a sort of clinical dryness that has to be taken into account when choosing. Great pickups for an axe with really good wood, but not the best choice to make a just-OK guitar sound larger than life. That said, the Wilde Keystones are dirt cheap for the quality of sound they deliver, and the ones I bought certainly do sound 100% Tele. Plus you can get the neck with a white cover which I really dig. (White pickguard on my green sparkle Tele Custom.)
I wouldn't be so quick to write off the QP if you're looking for vintage-meets-modern. Despite the fact that it's way hot it is a genuine singlecoil, and I think the big poles save it from sounding overwound. Girth? Yes, absolutely. Dark? Nope, and it cleans up quite well when you roll back the volume. Maybe not the best choice for old school twang, but it can snarl & spit as well as any. And better than some. A very different animal from the Li'l59 by all reports.
Have heard nothing but good things about the Duncan Broadcaster, but don't have one so I can't speak from experience.
If you're willing to spend more you might check out the Harmonic Design Vintage Plus or the Klein Broadcaster. Those are the two I'm looking at as eventual replacements for the Keystone bridge.
And the moral of the story?
You need more teles to house all the cool pups mentioned:friday:
Why ditch the Baja controls? Very usefull sounds there
i used the series position on the 4 way for slide and some other things but out of phase without independent volumes is pretty useless to me
Ok, I see you have the Broadcasters up for sale, what was your impression and why do you prefer the Texas Specials?
For the more output/less twang thing, I go for the Jerry Donahue or the Five Two. These are still squarely in the Tele camp, but not so piercing to my ears. The JD has a little more mids than the Five Two, if that is your thing.
So, I was thinking about the APTL-3JD with an APTR-1 in the neck. The APTR-1 can be really soft though.
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