El Supremo
New member
Hey there! This is basically a continuation of my other thread about the Custom 5, Screamin' Demon and Full Shred on page https://forum.seymourduncan.com/showthread.php?t=198441.
Just installed the Full Shred in my Jackson and replaced the 6 hex screws on the bridge side with filister screws (borrowed from my JB). I was interested in the results as many claim the Full Shred shares the same windings/coil as the Custom series, so this should move me closer to Custom 5 territory (Custom with an Alnico 5). After fiddling around with pole piece/pickup height, these are my first impressions.
Many claim that the Full Shred lacks bass. I tried the modified pickup through a Mesa Boogie Studio and the bass was definately more present after the mod. In lead mode still very tight, but more low mids that add tone to the lower strings. The highs seem to have shifted a bit more towards high mids with EQ set flat.
Clean the attack is very articulate. Output wasn't really effected, so genuine cleans are still a bit harder to get then with the SD.
The combination with the Jazz was warmer than the SD and still is. The SD/Jazz combo in middle position sounded really scooped/single coil like bright, whereas the Half Shred/Jazz combo adds some midrange warmth/tone to it.
The big pro for the Screamin' Demon is that it already sounds good with all the EQ set flat, both on my Mesa and Marshall.
The Half Shred still needs the graphic EQ of the Mesa to get a good rhythm tone. But when you do EQ, the tone is tight, clear with good bass definition on fast riffs. Somewhat reminiscent of Dave Mustaines' tone on Coutdown to Extinction and he used a TB5 in the bridge and a CAE preamp as far as I know. So people who claim the FS is actually a Custom with hex poles seem to be on the right track.
At this point I think adding the filister screws are a huge improvement for downtuned tone. Still tight, still high output, still very articulate, but with more tone in the lower registry.
I'll noodle around some more this week and hook up my Marshall and some overdrive/distortion pedals to see how it reacts to them.
Just installed the Full Shred in my Jackson and replaced the 6 hex screws on the bridge side with filister screws (borrowed from my JB). I was interested in the results as many claim the Full Shred shares the same windings/coil as the Custom series, so this should move me closer to Custom 5 territory (Custom with an Alnico 5). After fiddling around with pole piece/pickup height, these are my first impressions.
Many claim that the Full Shred lacks bass. I tried the modified pickup through a Mesa Boogie Studio and the bass was definately more present after the mod. In lead mode still very tight, but more low mids that add tone to the lower strings. The highs seem to have shifted a bit more towards high mids with EQ set flat.
Clean the attack is very articulate. Output wasn't really effected, so genuine cleans are still a bit harder to get then with the SD.
The combination with the Jazz was warmer than the SD and still is. The SD/Jazz combo in middle position sounded really scooped/single coil like bright, whereas the Half Shred/Jazz combo adds some midrange warmth/tone to it.
The big pro for the Screamin' Demon is that it already sounds good with all the EQ set flat, both on my Mesa and Marshall.
The Half Shred still needs the graphic EQ of the Mesa to get a good rhythm tone. But when you do EQ, the tone is tight, clear with good bass definition on fast riffs. Somewhat reminiscent of Dave Mustaines' tone on Coutdown to Extinction and he used a TB5 in the bridge and a CAE preamp as far as I know. So people who claim the FS is actually a Custom with hex poles seem to be on the right track.
At this point I think adding the filister screws are a huge improvement for downtuned tone. Still tight, still high output, still very articulate, but with more tone in the lower registry.
I'll noodle around some more this week and hook up my Marshall and some overdrive/distortion pedals to see how it reacts to them.