King IzzO)))
Ultimate Kitten Puncher
And interesting commentary from M. Weed.
http://atomiumamps.tumblr.com/
http://atomiumamps.tumblr.com/
And interesting commentary from M. Weed.
http://atomiumamps.tumblr.com/
Not trying to troll here, but have any of you played an SLO? It might sound somewhat like a 5150, but it feels REALLY different. The original 5150 probably has more gain, but it's a harsh, bright, metallic mush that your notes just sort of disappear into. An SLO also has a sick amount of gain, but the tone is much smoother and controllable, and it has amazing clarity for such a gainy amp.
I haven't really had enough time with a 5150III to compare, so I don't have an opinion of it.
NOPE, not played a SLO . . . i am going by what my ears tell me, vai the clip in post no. 1
The guy who created that blog, in the link, is a an amp tech and amp builder, and even someone with his credentials says they sound scarily close.
He established that he tried to limit as many external factors as possible to give a fair representation of each amp. Yes each amp could have sounded better with different cabs, speakers, pickups and guitars but that wasn't the purpose. The fact that all 3 can be dialed in to sound similar is a testament to the versatility and applicability of all 3.I don't see what's so great about it. For one, we don't know what pickups he used or what speaker. A speaker that sounds good with a 5150 isn't going to sound as good with an SLO. In my experience, 5150's, 6505, EVH are more Celestion-friendly than Soldanos are. Soldanos love Eminence speaker and that's because Mike Soldano mostly uses those speakers in his shop. Moreover, they're all dialed in to sound similar. It would be a different story if you set all the EQ's and gain at 12:00
I am very curious about the 5150 changes to outright SLO specs though.
It seems that the Soldano and the Peavey are closer in terms of tone than the Peavey and the Fender.
The Soldano seems to have more girth and grit than the Peavey and Fender, while the Peavey has a little less bass clarity than either.
The Fender is the brightest of the 3 and doesn't have the same bass content.
All three sound fairly close and are all usable.
He established that he tried to limit as many external factors as possible to give a fair representation of each amp. Yes each amp could have sounded better with different cabs, speakers, pickups and guitars but that wasn't the purpose. The fact that all 3 can be dialed in to sound similar is a testament to the versatility and applicability of all 3.
I don’t normally post stuff other than my own work, because I try to stay out of “internet gear culture” — but this video demonstrates the RIGHT way to do a comparison. Notice that the same DI’ed guitar track has been reamped through three different amps, using the same cab and mic setup, so that they’re controlling for as many external factors as possible. Switching is instantaneous. You can hide the video window to get a truly blind comparison.