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All tracks captured with an old Tascam digital recorder, then mixed on a computer with recording software.
 
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I really dig the clean strum. The muted rundown is very cool too.

Not a fan of the snare sound. Would like a little more ambiance on the vocals.

Jolly - yeah; Totally hear The Who thing. They an influence for anyone?
 
This is a preset I call “Lit Match”. It uses a Matchless DC 30 Ch1 model in series with a Line 6 Litigator model (rumored to be loosely based on the Dumble, but denied by L6). Both run into a 2x12 Matchless G25 cab (Greenback) w/ 160 ribbon mic. Centaur OD into Litigator, Tube Driver into Matchless.

This preset is HOT. The Matchless is a clean amp model (as expected) and the Litigator is an edge of breakup amp model.

Check out what the combination does for heaviness.

As with most of my presets, there is chamber reverb at 39% mix.

I have a 2nd version of this preset in Parallel. When everything is kicking in series, I can’t do quick string mutes w/o feedback squeals. The parallel version is nearly as hot but can manage the breaks.

I used Lit Match 2 on two songs I’ll share later.
 
I dig this one -This song has a nice early 70s hippy rock religious revival thing -like that guitar keyboard interplay and mix is less drum heavy. Nice job.

One issue -Trumpet line is great but I really think there was an opportunity for a real horn missed here.
-doesn't Jesus deserve more than a synth horn? i mean in the end times - is it seven trumpets or seven keytars those angels will be wielding? I kid kId.
 
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