JammerMatt
New member
Been working on this technique awhile, and sorta not getting where I want to be. My pull-offs lack definition and articulation. First, I was just raising my finger off the string, but when you do that, there isn't enough vibrational energy to have any definition.
Now, I've lowered my arch a little and am trying to grab the string more with the meaty part of the finger and sort of pull/pluck as I do the pull-off. Also, I've slowed Waaaaay down. It seems to help some, but it's taking a way long time to get any kind of speed.
My practice technique is to start on the high E-string (nearest the floor for righty's). I do a triplet pull off with either 4-3-1 fingers, or 4-2-1. Then I transfer to the next string (B) and do the same thing. I try to do a minor scale while I'm doing it, so it might be 4-3-1 on the E string, then a 4-2-1 on the B, or 4-3-1, 4-3-1, 4-2-1, 4-2-1, etc.
Does this sound okay? How did you develop your legato fleet-fingered style? And how do your pull-offs FEEL?
-Matt
Now, I've lowered my arch a little and am trying to grab the string more with the meaty part of the finger and sort of pull/pluck as I do the pull-off. Also, I've slowed Waaaaay down. It seems to help some, but it's taking a way long time to get any kind of speed.
My practice technique is to start on the high E-string (nearest the floor for righty's). I do a triplet pull off with either 4-3-1 fingers, or 4-2-1. Then I transfer to the next string (B) and do the same thing. I try to do a minor scale while I'm doing it, so it might be 4-3-1 on the E string, then a 4-2-1 on the B, or 4-3-1, 4-3-1, 4-2-1, 4-2-1, etc.
Does this sound okay? How did you develop your legato fleet-fingered style? And how do your pull-offs FEEL?
-Matt