No_Where_Fast
New member
I've read that as a approximate rule you can work out a complimentary Pot/p'up combo by multiplying the Pick-up's DC resistance by 40...
e.g.1:
Vintage Staggered, DC resistance 6.5k
6.5 x 40 = 260
So by this theory 250K Pots will work well...
e.g.2:
'59 Model (neck), DC resistance 7.43k
7.43 x 40 = 297.2
I guess that's why many LPs with traditional PAF's use 300k pots.
What then do you do when you have two different DC res p'ups? For example, I have a JM with a '59 Model (neck), DC resistance 7.43k; and a Duncan Custom (bridge), DC resistance 14.1k.
In theory, the '59 wants 300k pots, and the Custom wants around the 500k-600k region. 300k are gonna muddy up the Custom, and 500k make the '59 too harsh.
Obviously this can be rectified easily in a LP with separate controls, but what about a 1 vol / 1 tone set up?
e.g.1:
Vintage Staggered, DC resistance 6.5k
6.5 x 40 = 260
So by this theory 250K Pots will work well...
e.g.2:
'59 Model (neck), DC resistance 7.43k
7.43 x 40 = 297.2
I guess that's why many LPs with traditional PAF's use 300k pots.
What then do you do when you have two different DC res p'ups? For example, I have a JM with a '59 Model (neck), DC resistance 7.43k; and a Duncan Custom (bridge), DC resistance 14.1k.
In theory, the '59 wants 300k pots, and the Custom wants around the 500k-600k region. 300k are gonna muddy up the Custom, and 500k make the '59 too harsh.
Obviously this can be rectified easily in a LP with separate controls, but what about a 1 vol / 1 tone set up?