Chistopher
malapterurus electricus tonewood instigator
Re: How much affect does the guitar scale have in tone?
I don't want this thread to become a tonewood war, but what you just said IMO is the major reason people overestimate the importance of tonewood. I won't go into detail, but you can probably understand why. "Darker" woods have historically gone into shorter scale HB equipped guitars and "brighter" woods go into long scale guitars with single coils.
Then can we really call them Mustangs?
It has a very big affect on tone. It is by far *the* most overlooked aspect in tonal analysis and discussion, IME on guitar forums.
For just one specific example, when people discuss chasing Brian May's tones, they want to obsess over the onboard electronic aspects, pedals, etc...but rarely do you hear anyone say something like, "The most important thing is to start with a short scale guitar" – which really is the case IMO. To me, a stock vintage-style Jaguar or Mustang sounds more like the Red Special than a Strat with the same exact pickups and same exact switches as the Red Special. It's not that the electronics don't matter; it's just that scale length has a *huge* impact, and it is usually ignored by tone seekers. There's a "rubberiness" to the attack that cannot be replicated with a longer scale guitar. And in addition to the raw tonal differences it causes, scale length also has a very large affect on how the guitar plays, which in turn tends to affects what one plays and how he/she plays it. Technique changes when going from one scale length to another, whether you realize it or not.
I don't want this thread to become a tonewood war, but what you just said IMO is the major reason people overestimate the importance of tonewood. I won't go into detail, but you can probably understand why. "Darker" woods have historically gone into shorter scale HB equipped guitars and "brighter" woods go into long scale guitars with single coils.
Bullet Mustangs are 24.75".
Then can we really call them Mustangs?
