darkshadow54321
New member
I'm trying to focus on improving my technique, working slowly and building up speed to ensure I'm playing cleanly. So imagine we have this simple riff which is repeated endlessly:
E-----------------------------------------
B-----5h8p5-------5h8p5------------------
G--7b---------7b----------etc------------
D-----------------------------------------
A-----------------------------------------
E-----------------------------------------
How would you play it? And perhaps more importantly, how would you mute the unwanted strings?
At the moment, I am bending the 7 on the g with my third(ring) finger and then using my index and pinky to play the 5 and 8 on the b string.
The important part in this riff is muting the bent note on the g string so that the hammer on and pulloff on the b string ring out clearly, and then muting those when you return to the g string.
I am using mostly my right hand to mute the strings but should I actually be using mainly my fretting hand? i.e.: have my index finger lightly touching the g string at the same time as fretting the 5th fret on the b string. I find that this method isn't very comfortable but would solve the problem. Perhaps best to do muting with both hands?
The other question is relating to the ring finger playing the bent 7th fret note. After playing it, should I be lifting off my finger or should I leave it there? At the moment, I am lifting it off as this is easier and (I think) improves my timing but I suppose it would be more efficient to keep my finger on the fret. I find that this is very difficult to do with a bent note though as you instinctively want to lift off. What do you think?
I'd appreciate any pointers. Thanks guys.
E-----------------------------------------
B-----5h8p5-------5h8p5------------------
G--7b---------7b----------etc------------
D-----------------------------------------
A-----------------------------------------
E-----------------------------------------
How would you play it? And perhaps more importantly, how would you mute the unwanted strings?
At the moment, I am bending the 7 on the g with my third(ring) finger and then using my index and pinky to play the 5 and 8 on the b string.
The important part in this riff is muting the bent note on the g string so that the hammer on and pulloff on the b string ring out clearly, and then muting those when you return to the g string.
I am using mostly my right hand to mute the strings but should I actually be using mainly my fretting hand? i.e.: have my index finger lightly touching the g string at the same time as fretting the 5th fret on the b string. I find that this method isn't very comfortable but would solve the problem. Perhaps best to do muting with both hands?
The other question is relating to the ring finger playing the bent 7th fret note. After playing it, should I be lifting off my finger or should I leave it there? At the moment, I am lifting it off as this is easier and (I think) improves my timing but I suppose it would be more efficient to keep my finger on the fret. I find that this is very difficult to do with a bent note though as you instinctively want to lift off. What do you think?
I'd appreciate any pointers. Thanks guys.
