vinnie1971
New member
Hi all.
Most of us are used to coil splitting.
Some of us are used to splitting to either the screw or slug coil.
Some of us are used to the principles of combining the inner coils ( usually slugs) or the outer coils ( usually the screws) for strat-like cluck in between sound or telecaster like spanky in between sound.
But here are some other considerations I’ve come up with in my experiments:
Hum free inner and outer coil splits:
By rotating the neck pickup, the outer coils are the neck slug and bridge screw coil; the inner coils are the neck screw coil and the bridge screw coil. So you can have your inner and outer coil splits, but when both pickups are selected- then it’s hum cancelling.
One humbucker split together with the other full humbucker- normally this is done in parallel as that’s the easiest way to combine but the net effect is a little disappointing as it results in quite a bit of volume drop. That’s because the split coil is in parallel with the humbucker yielding a net DCR less than the DCR of one coil of a humbucker.
So in my latest HH guitar, I have universal coil splitting which gives hum cancelling inner and outer coil splits ( when both pickups are selected). I’m using an on off on switch : inner coil splits, coil split off, outer coil splits.
Plus I have the ability to combine one humbucker with a split coil. But I’ve done it like this ( using a push pull which is used in conjunction with my coil split toggle):
1. Neck north coil in series with ( neck south coil in parallel with bridge south coil) which gives a beefy neck focused outer coil split sound due to my rotated neck pickup, with a bit of bridge to colour the tone
2: bridge north coil in series with ( bridge south coil in parallel with neck south coil) which gives a beefy bridge focused inner coil split sound ( again due to the rotated neck pickup) with a bit of neck to colour the tone.
Let’s look at some example DCR numbers to help illustrate what’s going on here.
Taking HH project which has super 70 clones ( the DCR is PAF like but using oversized roughcast alnico 8 magnets, the inductance is high and they split really well, like super distortions)
Symmetrical wind ( both coils are the same DCR in each humbucker) I’m rounding to the nearest decimal point:
Bridge: 8.2k
Neck: 7.6k
Together in parallel that’s 3.9k
Bridge split: 4.1k
Neck split: 3.8k
Together in parallel: 2k
Bridge in parallel with neck split: 3k
Bridge north coil in series with (bridge south coil in parallel with with neck south coil): 6k
It takes a bit more figuring out to do this but it’s well worth it. I’ll do a demo shortly ...
I’ve deliberately left out putting humbucker coils in parallel with themselves instead of coil splitting as I’m not so keen on them. Taking my bridge pickup that takes the DCR down to 2K And when you put both bridge and neck as parallel with themselves and each other, that’s 1k. For vintage wound humbuckers that’s not very useable unless you have oversized magnets to bolster the inductance like in a Gretsch Filtertron.
Sorry about my handrawn on the phone diagram
This guitar also has out of phase and bass cut. Bass cut is useful as it gets these humbuckers in a similar tonal ball park as P90s, with no hum!
EDIT
Here’s a demo
https://youtu.be/e2O-x3a5mrM
Sent from my iPhone using Tapatalk
Most of us are used to coil splitting.
Some of us are used to splitting to either the screw or slug coil.
Some of us are used to the principles of combining the inner coils ( usually slugs) or the outer coils ( usually the screws) for strat-like cluck in between sound or telecaster like spanky in between sound.
But here are some other considerations I’ve come up with in my experiments:
Hum free inner and outer coil splits:
By rotating the neck pickup, the outer coils are the neck slug and bridge screw coil; the inner coils are the neck screw coil and the bridge screw coil. So you can have your inner and outer coil splits, but when both pickups are selected- then it’s hum cancelling.
One humbucker split together with the other full humbucker- normally this is done in parallel as that’s the easiest way to combine but the net effect is a little disappointing as it results in quite a bit of volume drop. That’s because the split coil is in parallel with the humbucker yielding a net DCR less than the DCR of one coil of a humbucker.
So in my latest HH guitar, I have universal coil splitting which gives hum cancelling inner and outer coil splits ( when both pickups are selected). I’m using an on off on switch : inner coil splits, coil split off, outer coil splits.
Plus I have the ability to combine one humbucker with a split coil. But I’ve done it like this ( using a push pull which is used in conjunction with my coil split toggle):
1. Neck north coil in series with ( neck south coil in parallel with bridge south coil) which gives a beefy neck focused outer coil split sound due to my rotated neck pickup, with a bit of bridge to colour the tone
2: bridge north coil in series with ( bridge south coil in parallel with neck south coil) which gives a beefy bridge focused inner coil split sound ( again due to the rotated neck pickup) with a bit of neck to colour the tone.
Let’s look at some example DCR numbers to help illustrate what’s going on here.
Taking HH project which has super 70 clones ( the DCR is PAF like but using oversized roughcast alnico 8 magnets, the inductance is high and they split really well, like super distortions)
Symmetrical wind ( both coils are the same DCR in each humbucker) I’m rounding to the nearest decimal point:
Bridge: 8.2k
Neck: 7.6k
Together in parallel that’s 3.9k
Bridge split: 4.1k
Neck split: 3.8k
Together in parallel: 2k
Bridge in parallel with neck split: 3k
Bridge north coil in series with (bridge south coil in parallel with with neck south coil): 6k
It takes a bit more figuring out to do this but it’s well worth it. I’ll do a demo shortly ...
I’ve deliberately left out putting humbucker coils in parallel with themselves instead of coil splitting as I’m not so keen on them. Taking my bridge pickup that takes the DCR down to 2K And when you put both bridge and neck as parallel with themselves and each other, that’s 1k. For vintage wound humbuckers that’s not very useable unless you have oversized magnets to bolster the inductance like in a Gretsch Filtertron.
Sorry about my handrawn on the phone diagram
This guitar also has out of phase and bass cut. Bass cut is useful as it gets these humbuckers in a similar tonal ball park as P90s, with no hum!
EDIT
Here’s a demo
https://youtu.be/e2O-x3a5mrM
Sent from my iPhone using Tapatalk
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