Chuck_Norris
New member
Hi everyone and happy New Year!
It's been a while. I've had the SH-6 for almost 10 years now and used it for downtuned Death Metal riffing (B standard and drop A). The other day I came to the conclusion that I really dislike it and will stop using it for good. Ironically, it is probably THE most popular Seymour Duncan pickup for all things Metal.
What really puts me off is that extremely annoying upper-mid grind that is just impossible to dial out. It also has a lot of "hair" which can make it sound a bit like a chainsaw on the low strings, severely reducing clarity and attack.
These days, I mainly use the SH-5 for Metal. It is very tight and punchy, has a great low-end that doesn't get muddy, and has a pleasant PAF-ish voicing (somewhat scooped). The mids are still there. They just aren't unnecessarily pronounced like on the Distortion. Fast palm-muted riffs sound huge and tight, open chords ring with clarity and the lead tone is just beyond amazing. It loves mids so be sure to set them fairly high on your amp. It completely annihilates the SH-6 in every way possible. Oh, it also has better cleans.
Some people say that the SH-5 has too much treble. I disagree. A good pickup needs treble. PAFs also have a ton of treble. The key is to use the mids on your amp's EQ to balance it out so that it doesn't sound thin or ice-picky. If you scoop your mids too much, it will definitely sound a bit thin for leads.
What are your experiences with the SH-6 and SH-5? Are there any newer SD pickups that can compete with the SH-5 for Metal and have that punchy, tight, articulate and balanced tone?
Best,
Chuck
It's been a while. I've had the SH-6 for almost 10 years now and used it for downtuned Death Metal riffing (B standard and drop A). The other day I came to the conclusion that I really dislike it and will stop using it for good. Ironically, it is probably THE most popular Seymour Duncan pickup for all things Metal.
What really puts me off is that extremely annoying upper-mid grind that is just impossible to dial out. It also has a lot of "hair" which can make it sound a bit like a chainsaw on the low strings, severely reducing clarity and attack.
These days, I mainly use the SH-5 for Metal. It is very tight and punchy, has a great low-end that doesn't get muddy, and has a pleasant PAF-ish voicing (somewhat scooped). The mids are still there. They just aren't unnecessarily pronounced like on the Distortion. Fast palm-muted riffs sound huge and tight, open chords ring with clarity and the lead tone is just beyond amazing. It loves mids so be sure to set them fairly high on your amp. It completely annihilates the SH-6 in every way possible. Oh, it also has better cleans.
Some people say that the SH-5 has too much treble. I disagree. A good pickup needs treble. PAFs also have a ton of treble. The key is to use the mids on your amp's EQ to balance it out so that it doesn't sound thin or ice-picky. If you scoop your mids too much, it will definitely sound a bit thin for leads.
What are your experiences with the SH-6 and SH-5? Are there any newer SD pickups that can compete with the SH-5 for Metal and have that punchy, tight, articulate and balanced tone?
Best,
Chuck
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