ElUnoAstuto
New member
I heard a good variety of amps last night at the Darkest Hour show, and actually got to hang out and chat with Kris Norris from DH! :smokin: He's one of my favorite guitarists, and he was so down to earth! At any rate, on to the gear!:6:
Bogner - I don't know what model, I assume it's some sort of 2 channel model, because it had two white bars that lit up, one on the left, and one on the right, the length of the amp, and they seemed to correspond to the channels. The guy was using a Gibson goldtop standard, and his sound was very articulate, but not very saturated. Very dynamic, I loved how you could make out every note in the chords, even cranked like it was. Seemed like a cool amp, but I don't think it'd be up my alley for modern metal.
Peavey Ultra Plus - this is a cool amp, I've never heard one in person. The rythm channel sounded very beefy, with tons of bottom end, and aggressive, punchy mids. This seemed to be a very midrange amp. The guitarist also switched to the Ultra channel for several solos, and it seemed to add a little gain and reconfigure the mid EQ. It was a little harsh at times, but overal, sounded like a decent amp.
Line 6 HD - I don't know which one it was, it had the vertical blue light up panels on either side of the center. It was very crunchy and had a lot of low end, but seemed to be missing something. It didn't sound very organic, and wasn't very articulate. It was a very uninteresting amp, didn't really catch my ear. Just mediocre.
Peavey 5150 II - Loved this amp! Beefy, ballsy, aggressive high gain tones, that just cut through the mix like no other. The cleans on it sucked, plain and simple. It was a great high gain sound, but it didn't "breathe". It sounded like a tone I'd heard a million times before. Too compressed.
Peavey 6505 - There actually is a difference between a 5150, 5150 II, and the 6505s, because Darkest Hour had all of them, and Kris Norris showed me the differences between them. The 5150's distortion seemed to be much more harmonically rich than the 5150 II's, with the II seemed to be lacking some definition, and didn't have as tight low end. The cleans were actually better on the 5150, with more roundess and "bloom". On the 5150 II they seemed very dry, very sterile. The thing that surprised me, was the 6505 sounded the best! It had the most aggressive distortion of the three, with the midrange sounding much more natural, and just an overall organic, breathing, super saturated high gain tone, with dynamics, definition, and note articulation. I was always under the impression that the 6505 wasn't as good as the 5150, but I guess I was proved wrong! Even the cleans on the 6505 sounded really good, albeit nowhere near those Fender cleans, they sounded great, even cranked. They way he had it dialed in, was one of the best live guitar sounds I'd ever heard. It just sounded so wide open.
Well, that's my take on these modern metal beasts, so FWIW, I hope somebody finds this useful.
-Jordan
Bogner - I don't know what model, I assume it's some sort of 2 channel model, because it had two white bars that lit up, one on the left, and one on the right, the length of the amp, and they seemed to correspond to the channels. The guy was using a Gibson goldtop standard, and his sound was very articulate, but not very saturated. Very dynamic, I loved how you could make out every note in the chords, even cranked like it was. Seemed like a cool amp, but I don't think it'd be up my alley for modern metal.
Peavey Ultra Plus - this is a cool amp, I've never heard one in person. The rythm channel sounded very beefy, with tons of bottom end, and aggressive, punchy mids. This seemed to be a very midrange amp. The guitarist also switched to the Ultra channel for several solos, and it seemed to add a little gain and reconfigure the mid EQ. It was a little harsh at times, but overal, sounded like a decent amp.
Line 6 HD - I don't know which one it was, it had the vertical blue light up panels on either side of the center. It was very crunchy and had a lot of low end, but seemed to be missing something. It didn't sound very organic, and wasn't very articulate. It was a very uninteresting amp, didn't really catch my ear. Just mediocre.
Peavey 5150 II - Loved this amp! Beefy, ballsy, aggressive high gain tones, that just cut through the mix like no other. The cleans on it sucked, plain and simple. It was a great high gain sound, but it didn't "breathe". It sounded like a tone I'd heard a million times before. Too compressed.
Peavey 6505 - There actually is a difference between a 5150, 5150 II, and the 6505s, because Darkest Hour had all of them, and Kris Norris showed me the differences between them. The 5150's distortion seemed to be much more harmonically rich than the 5150 II's, with the II seemed to be lacking some definition, and didn't have as tight low end. The cleans were actually better on the 5150, with more roundess and "bloom". On the 5150 II they seemed very dry, very sterile. The thing that surprised me, was the 6505 sounded the best! It had the most aggressive distortion of the three, with the midrange sounding much more natural, and just an overall organic, breathing, super saturated high gain tone, with dynamics, definition, and note articulation. I was always under the impression that the 6505 wasn't as good as the 5150, but I guess I was proved wrong! Even the cleans on the 6505 sounded really good, albeit nowhere near those Fender cleans, they sounded great, even cranked. They way he had it dialed in, was one of the best live guitar sounds I'd ever heard. It just sounded so wide open.
Well, that's my take on these modern metal beasts, so FWIW, I hope somebody finds this useful.
-Jordan
Last edited: