Elias Graves
New member
Here's where I'm going.
This body, all walnut and just a bit bigger than a Les Paul, will be 100% "chambered" if you will. Everything inside the inner line goes, leaving a 1/4" back intact.
This is the top. Also 1/4".
Here's the general layout, with 24.5" scale walnut neck/Honduran rosewood board.
My original plan was a pair of antiquity dogears, but I'm concerned its gonna look a bit crowded. There's not much space betwixt the neck and bridge.
I play mostly rhythm; I'm a singer/songwriter type but I can't stand piezo equipped acoustics and micing is too fussy so I play electric. As you can imagine, my tone is mostly clean and I use a bit of slapback and vibrato sometimes but mostly no effects other than reverb.
My other guitar is a tele made from the same walnut, chambered. It has a Fender Original Vintage tele bridge pickup and a Duncan SM3 neck pickup. I love the sounds I get from that guitar so that gives a bit of reference I hope.
Obligatory tele pic.
So, I'm ready to begin hollowing out this body and I need to decide on pickups pretty soon, but its proving a harder decision than I thought.
Go with the antiquity dogears?
Phat Cats
SM3 neck and bridge
Seth Lovers (had those before and liked them)
Another,pricier option is a lollar El Rayo bridge with Charlie Christian neck. I'm not convinced going that route is worth double the money, though.
Now, I read here a lot and I know what fans you guys are on swapping magnets, however, I seriously doubt ill be doing any of that. Haven't been able to get into that and I doubt I start now, so whatever pickups I choose, they need to sound good out of the box.
Let's hear it!
(One last bit, I "bolted" the neck to the blank with a clamp to check alignment and strung it up. Suckler is pretty twangy sounding but I'm sure the hollowing will temper that some. It is not a dark sounding guitar at all.)
This body, all walnut and just a bit bigger than a Les Paul, will be 100% "chambered" if you will. Everything inside the inner line goes, leaving a 1/4" back intact.
This is the top. Also 1/4".
Here's the general layout, with 24.5" scale walnut neck/Honduran rosewood board.
My original plan was a pair of antiquity dogears, but I'm concerned its gonna look a bit crowded. There's not much space betwixt the neck and bridge.
I play mostly rhythm; I'm a singer/songwriter type but I can't stand piezo equipped acoustics and micing is too fussy so I play electric. As you can imagine, my tone is mostly clean and I use a bit of slapback and vibrato sometimes but mostly no effects other than reverb.
My other guitar is a tele made from the same walnut, chambered. It has a Fender Original Vintage tele bridge pickup and a Duncan SM3 neck pickup. I love the sounds I get from that guitar so that gives a bit of reference I hope.
Obligatory tele pic.
So, I'm ready to begin hollowing out this body and I need to decide on pickups pretty soon, but its proving a harder decision than I thought.
Go with the antiquity dogears?
Phat Cats
SM3 neck and bridge
Seth Lovers (had those before and liked them)
Another,pricier option is a lollar El Rayo bridge with Charlie Christian neck. I'm not convinced going that route is worth double the money, though.
Now, I read here a lot and I know what fans you guys are on swapping magnets, however, I seriously doubt ill be doing any of that. Haven't been able to get into that and I doubt I start now, so whatever pickups I choose, they need to sound good out of the box.
Let's hear it!
(One last bit, I "bolted" the neck to the blank with a clamp to check alignment and strung it up. Suckler is pretty twangy sounding but I'm sure the hollowing will temper that some. It is not a dark sounding guitar at all.)