Biu said:How much different is it from say a Twin's clean tone? Is it the same but with more low-end emphasis? Can I still get fairly bright with it? So far, it sounds like just what I'm looking for, from your descriptions. Great cleans, pedal-friendly, no reverb (I like to use my own pedal reverb), simlple EQ controls, and warmer than typical Fenders. Is this right?
Thanks a ton, guys. I may be one step closer to "the tone" after this.
-Biu
Gearjoneser said:Not to knock the Bassman, but it's primarily a blues/roots rock amp tone. Are you sure that's what you're looking for? Based on the style you play, which is based on highgain, maybe you should consider something made for gain. Also, maybe one that is good for low volume and recording. I'd suggest you look at DSL's, ENGL's, Soldanos, Laney, or Mesa. If you played a different style of music, I'd say "yeah, buy a Bassman," but maybe you should look at the same kind of amps that your favorite guitar players use, since it's more befitting of the style. Just my 2 cents.
Lewguitar said:Black or silverface Bassman heads need extensive modification to work well as guitar heads. They're bass amps! And some have really weird, experimental phase invertors and tone circuits that need to be gutted and rewired like a Super Reverb or something more normal.
I have never liked the tone of an unmodified Bassman....but they make a great platform for mods.
Modded Bassmans can be excellant guitar amps, though I would only want a blackface or silverface amp with reverb: Pro, Vibrolux, Twin, Super, etc. The reverb circuit in those amps actually creates more gain and a ballsier tone than the same amp without reverb...even if you don't use the reverb and keep the level on zero.
The tweed '59 Bassman is a whole other deal...totally differant amp and much more Marshall like in tone.
Lew