Diego
New member
Installed a 180pf capacitor (PRS method) as a basic treble bleed in my new Ibanez SZ and my Epi Les Paul.
The SZ already worked wonders without the TB, and the difference is subtle but noticeable. It cleans up wonderfully.
In the Les Paul it's not bright enough for me yet. I really want it to get twangy and defined when rolling back the volume, and it's better now but far from it.
I also bought the resistors and capacitors to do the Duncan and Kinman style mods, and I'll eventually try them in the Les Paul.
I recently tried a Tokai LP that had the best response to the volume pot I've ever experienced, rolling the volume back in the bridge pup sounded almost Tele-ish, like this clip of Bonamassa here when he does the "country" style bit at the end with a Gibson:
	
		
	
It's not just high-end, the midrange gets very punchy as well. Any idea on what treble bleed values could help with that?
				
			The SZ already worked wonders without the TB, and the difference is subtle but noticeable. It cleans up wonderfully.
In the Les Paul it's not bright enough for me yet. I really want it to get twangy and defined when rolling back the volume, and it's better now but far from it.
I also bought the resistors and capacitors to do the Duncan and Kinman style mods, and I'll eventually try them in the Les Paul.
I recently tried a Tokai LP that had the best response to the volume pot I've ever experienced, rolling the volume back in the bridge pup sounded almost Tele-ish, like this clip of Bonamassa here when he does the "country" style bit at the end with a Gibson:
It's not just high-end, the midrange gets very punchy as well. Any idea on what treble bleed values could help with that?
 
	 
 
		 
 
		 
 
		 
 
		 
 
		 
 
		 
 
		 
 
		