Gearjoneser
Gear Ho
I remember Jolly (forum's biggest proponent of the Jazz Model) claimed that a Jazz Bridge is an even better neck pickup than the Jazz N, so I figured it might be the best neck to go with a hotter bridge pickup.
I tried it out today in my LP Goldtop....nickel Custom 5 and Jazz B neck.....and there's pullup tonepots to split everything. The Jazz B in the neck has a tone that's in between the Jazz neck and 59 neck, making it a great toned pickup for both clean rhythm and singing solos. It's very glassy and clear like a strat or tele pickup when split, and sounds round and clear when humbucking. A little less low end boom than the 59, and surprisingly, the single notes high on the neck sound fuller than the 59N. I guess the Jazz bridge's 8.25K output gives it the perfect amount of volume to jive nicely with any of the Customs or JB.
When I get the Brobucker bridge this week, I'll replace the C-5, and give that guitar some time with the Brobucker/Jazz B. It'll likely be the most pure and articulate Les Paul I've ever heard.
I tried it out today in my LP Goldtop....nickel Custom 5 and Jazz B neck.....and there's pullup tonepots to split everything. The Jazz B in the neck has a tone that's in between the Jazz neck and 59 neck, making it a great toned pickup for both clean rhythm and singing solos. It's very glassy and clear like a strat or tele pickup when split, and sounds round and clear when humbucking. A little less low end boom than the 59, and surprisingly, the single notes high on the neck sound fuller than the 59N. I guess the Jazz bridge's 8.25K output gives it the perfect amount of volume to jive nicely with any of the Customs or JB.
When I get the Brobucker bridge this week, I'll replace the C-5, and give that guitar some time with the Brobucker/Jazz B. It'll likely be the most pure and articulate Les Paul I've ever heard.