JeffB
Let it B
Really it works for any 2 vol. 2 humbucker setup, 335s,.etc...but.
Back when I was a teenager a guitar mentor showed me a "trick" with the volume control, and old school single channel amps... Essentially you set the guitar up for 3 sounds. You have your bridge pickup full blast, and your neck pickup cracked open just a bit..2..maybe 3, and then you use the middle switch position for the majority of your crunch chunking and alot of lead work, your neck alone for clean stuff, and the bridge alone for the leads that you need the most gain and bite to cut through. And there is only a little perceived volume disparity at stage volumes switching from one to the other.
It is similar to jumping inputs on a 4 hole marshall. Adding beef,without losing too much clarity and bite.
At the time I was trying so hard to mimic Peter Frampton and Brian Robertson and could not figure out how they got their bridge pups to sound so beefy (especially robbo and his minibuckers).. then i figured out this is what they were doing when I saw some video. And then I satrted to watch for it, and realized so did young M. Schenker, and Ted Nugent, Joe Perry, Jimmy Page, Kerry Livgren, and a whole lot of other dudes I admire from back in the 70s. Recenly, through the wonders of youtube, I realized alex lifeson , whom I am currently drawing inspiration from also did the same thing BITD before he switched over to strats..especially with his 335 , and a bit less so with his 355....(working man...perfect example of this on the 335)
I had pretty much stopped doing this when strats and teles took over my life and I forgot about it. Now that I am back to gibby style I forgot how much I love this setup and have missed my 2v/2t!
So, am I alone here on the forum? Any of you folks do that? Any other big names do this? I noticed that as the guys I mentioned above drifted away into the 80s and gear changed,they stopped doing this. Higher output pickups, channel switching amps and rack gear I guess eliminated the need (and lower output pups just seem to work far better for this anyway). And likely big changes in style/music made it less needed as well.
Back when I was a teenager a guitar mentor showed me a "trick" with the volume control, and old school single channel amps... Essentially you set the guitar up for 3 sounds. You have your bridge pickup full blast, and your neck pickup cracked open just a bit..2..maybe 3, and then you use the middle switch position for the majority of your crunch chunking and alot of lead work, your neck alone for clean stuff, and the bridge alone for the leads that you need the most gain and bite to cut through. And there is only a little perceived volume disparity at stage volumes switching from one to the other.
It is similar to jumping inputs on a 4 hole marshall. Adding beef,without losing too much clarity and bite.
At the time I was trying so hard to mimic Peter Frampton and Brian Robertson and could not figure out how they got their bridge pups to sound so beefy (especially robbo and his minibuckers).. then i figured out this is what they were doing when I saw some video. And then I satrted to watch for it, and realized so did young M. Schenker, and Ted Nugent, Joe Perry, Jimmy Page, Kerry Livgren, and a whole lot of other dudes I admire from back in the 70s. Recenly, through the wonders of youtube, I realized alex lifeson , whom I am currently drawing inspiration from also did the same thing BITD before he switched over to strats..especially with his 335 , and a bit less so with his 355....(working man...perfect example of this on the 335)
I had pretty much stopped doing this when strats and teles took over my life and I forgot about it. Now that I am back to gibby style I forgot how much I love this setup and have missed my 2v/2t!
So, am I alone here on the forum? Any of you folks do that? Any other big names do this? I noticed that as the guys I mentioned above drifted away into the 80s and gear changed,they stopped doing this. Higher output pickups, channel switching amps and rack gear I guess eliminated the need (and lower output pups just seem to work far better for this anyway). And likely big changes in style/music made it less needed as well.
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