Nah unless Clapton or EV posted and i'm not aware of it :laugh2: . From what you said in your previous post you sound more of a makie uppie. You still have to use scales etc etc but were going with the chord progression an feel to determine what were gonna playHamerPlyr said:The more that I think about this... So, some of you guys just grab a random note and play a series of random notes after that? Surely, unless you're a beginning player, you start, at the least, in the key of the song and play a pentatonic scale. Right, or am I missing something?
I was kind of thinking that myself aswell, even if you're a makie uppie kinda improviser,but if you really know your applied theory etc etc like the back of your hand(which i do not claim to at all :laugh2: ) you will use certian "licks" but mabye one parts of thing you know that will work ,but i guess when you get to a point of mastering improvising you don't even have to think aboutwhat you want to play, you just play what you hear in your head..shred me good said:if you makie uppie enough you end up with certain things you keep putting in without realising it, i gues they are known as licks.
for the most part i try and just jump on in with a note, wich is usualy a wrong one, but from there its easy to know what the right one is (its usualy one fret higher or lower than the wrong one).
after a few bars of fair gueswork i can usualy tell what key its in and which scale or mode i should be using.
thie thing i love best about doing this is that when youv been playing over a fairly repetative riff or chord progretion you get the hang of it and your melodys start sounding better and better, but when an awkward or unexpected chord is thrown in, maby a key change or such and your halfway through a lick you know will sound good, you have to change it. and fast!!!
hopfully resolving your little tune before the next awkward chord change.
that to me is heaven!!!
:dance: