Re: Mesa Boogie Mark IIC+'s - Do they live up to their hype?
OlinMusic said:
OK OK
MARK 3 or MARK 4?
If Mark 3 - which stripe? I want it ALL! Metal to Jazz - yes really I do. Throw country in! A killer FX LOOP?
Well, .....um......BOTH????
I like the Mark III for live. Simpler controls are handier for switching guitars--like if you want to go from Strat to LP--it's easier to do the "Pull Boost" on the Mark III. As far as the stripe--I'd say either red, blue or green. Green stripes use the Simul-class tubes in Pentode mode. All the others, including the Mark IIC+ use those tubes in Triode mode. Pentode is louder, cleaner--triode is softer, creamier. There are some variations in how the Rhythm 2 mode is set up, as well.
Rhythm 2 is supposed to be a "brown Marshall" sound. There's very little control over this tone--so you're best off keeping the amp in the sweet spots. Still, it can be really handy when I want to "warm up" my rhythm tone--perhaps while doing some octave jazz runs ala Wes Montgomery, with my guitar volume down. Bring my guitar volume up, and now I'm ready for some hot Tejas blooze....and I still have my Lead channel, if I need....more.
But...
The Mark IV has the best loop by far. There really are a ton of switching options on this amp. If you want to use it live, be prepared for a big learning curve. Rhythm 2 has variable gain, more tonal control, and its own master volume. I find this handy LIVE--I can use the massive gain in the LEAD CHANNEL for my G&L Legacy's single coils; while R2 may get a workout when I use my guitars with hotter humbuckers.
Everybody knows about the TWEED POWER settings on the Mark IV--it lowers the plate voltage, reducing the power, saving the tubes a little bit, and makes the amp a little less dynamic--a good thing in many situations. The big switches in my mind are the SIMUL-CLASS/CLASS A switch, the MID-GAIN/HARMONICS switch, PENTODE/TRIODE (affects only the CLASS A sockets)--and the pull switches on the R2 and LEAD channel PRESENCE controls. These controls can do some dramatic changes in the way the amp responds.
With my Mark IV 112 EVM combo and its matching 112 EVM Theile cabinet, I can have a nice, sweet clean little amp for the dinner set; hit a couple of switches and get a great classic rock and blues machine for the second and third set, and finally, for the fourth set--after all the "old" folks have gone home--flipping a couple more switches turns this cute little mini-stack into a snarling, raging tone machine that can push most full stacks into meltdown! And, I will still have a crisp, sparkling, and ripping clean tone.
I'll leave the metal stuff in the hand of Metallica--and warn you that the Mark IV won't do the searing high gain that is the trademarked territory of the Rectos. I prefer the sweeter, singing sustain of the Mark III and Mark IV--I prefer more of a Santana/Larry Carleton type of tone. On my Mark III, my LEAD GAIN is at 6.5; the Mark IV is at 7--so there is still some gain in there that I'm not even approaching.
I like Mesa amps. When I bought my first one, I was playing in a band with another guitarist (the "lead" guitarist, ya know?). All of a sudden, I started getting a lot of compliments on my tone. The band sounded better. He got pissed; went through a LJ Ampeg, a 2203, and a 5150 in six months. Tried to convice me that I should go back to using a smaller amp. We laughed.... :no1:
I think a used Mark Series amp is still one of the best deals available in the market. When you add in the tonal flexibility, reliability, value and resale--you can't beat them.
Bill