Ah, ok. I thought you must have decided to use one of each for a special reason and wondered what it could be.
I could the very same because of tonal balance. Staggered singles, i think because of the core is further from the strings, tend to sound a little bit clearer while you can get closer to the strings with those flat pole pieces so that you can get a little bit fatter or louder with them. So staggered for the neck in order to achieve cleaerer tone and flat for middle is so logical. Moreover there is no raised pole pieces under your pick route wth those flat top singles. But here my situation is completely luck
Wow! I like that copper one next to it!
That's my number one. Named "Goldie", that has a Turkish alder body, a Q-sawn one-piece maple neck in a chunky Endur-Neck profile, Gotoh 510T-FE1 tremolo, 25.5” scale, steel frets, Bourns 500K volume and Alpha 500K tone pots, and 009-046 D'Addario NYXL0946 strings in E-standard tuning. It has a
Lollar Imperial High Wind bridge, custom wound middle (true single with coil tapping 5.5K/6.5K windings, now on 6.5K side is on) and
Dimarzio Bluesbucker neck pickups. Its primary (unplugged) tone ranges from balanced to medium-bright.
In general, I've found that I much prefer flat poles to staggered. The regular SSL-2 has ended up being my favourite neck pickup . . . but I pull it pretty far down into the pickguard when setting things up. This keeps the bass under control and gives plentiful but never really harsh highs. I could see slightly underwinding it to be nice too, especially if you prefer the pickup higher towards the strings.
I am team 'flat pole', too.
Normally i do prefer flat ones too.
Um care to explain where the ADMs went in the copper one?
Of course. I keep them. Actually, i like the Bluesbucker so much, more than DP201 for that guitar particularly. DP202 is absolute "must stay". The problem is bluesbucker is black, DP202 is cream. So i need to find a double cream bluesbucker which is too difficult to find here in Turkiye.