Re: New Pickup in Premier Guitar
Two things struck me in the article. First:
Tone-wise, what you hear with the volume set to 10 is the same as what you hear when it’s dialed down to 2, only louder.
For many (most?) guitarists, rolling off the volume isn't just about reducing volume, it's about accessing the response and EQ changes that come with rolling back on the volume. Passive guitar electronics are full of quirks that active electronics can overcome, but there is substance in those quirks. If this is not a deal breaker, it's at least a serious blow to authenticity. I guess I can expect a battery happy company like Fishman to understand that, they had to hire a guy to study magnetics for them, after all.
according to Larry Fishman, that “magic” is precisely why his company sidestepped electric guitar pickups for its first 34 years: “Too much voodoo,” he says. Fishman felt he could match the performance of existing electric guitar pickups, but not bring anything new to the party—until now.
What this tells me is that they have not given much thought to passive pickups in general, because I don't even do this for a living, and I think up strange ideas all the time that I'd like to try if I had the means on hand. Look at companies like Lace, they're willing to throw a lot of stuff at the wall and see if anything will stick, but here you have a company in business for 34 years, and only now they came up with an idea? Anything seems like voodoo if you don't care enough about it to understand it.
The second thing is that they claim that there is more to a pickup than it's EQ curve, but then EQ curves are all they go on to talk about. When you switch an A5 magnet for an A2, or a ceramic bar, the EQ response it not the only thing that changes. The attack and sustain, the "bloom" become different, it changes the feel of the pickup all around. From what I read, I don't have a lot of confidence that they're creation could emulate the characteristics of different magnet types. I think one day some sophisticated digital modelling will be able to account for every last details, and allow people to virtually change out magnets, but this isn't that sort thing.
It's also funny that they talk about 240 battery hours and plug in power on as if they are strong selling points. If they were truly innovative, they'd create a pre-amp that turned on or off depending on whether the guitar was actually being played or not.
Luke Duke and I tried these out at NAMM at the behest of Frank Falbo. All I can really say is they're pretty . Totally quiet, very easy-feeling, excellent versatility without being overwhelming with options, very low magnet pull, great note separation, and the battery pack is genius. The whole setup just sounded dialed right from the get go.
All this sounds good, but unique unto itself. I'm not seeing words like "authentic" here, which I thought was this product's first job.
It looks like you get two sound choices per pickup, toggled with a push/pull. We have two or more sound choices per a single pickup now with coil taps and humbucker pickups, and even though it might not be as controlled, at least it doesn't require a battery, and you have countless options in what you can do and which pickups you can use.
In the market of inauthentic pickup recreations, it seems like the Variax is two decades ahead of this thing.