Inflames626
New member
Hey guys,
I'm usually on the guitar forums as I'm a guitarist, but I'm trying out bass pups.
Although I play metal, I'm kind of weird in that I usually prefer passive low output bass pickups like a Fender 62 RI p bass set. I'd rather let the amp/plugin color my sound as opposed to dialing it in on the bass. I've tried stuff like the SPB3 and it's just too overwound and boomy for my tastes. Lower output stuff to me has more dynamics than overwound--sounds warmer--overall is just cleaner and more controlled, and the volume difference can be made up by the amp.
I'm looking for something that growls, maybe for fretless bass in the bridge position. I really like the sound samples of the NYC soapbars I've heard and I was wondering if anyone else has opinions on them.
Also, I have a couple other questions.
1) How do the hum canceling jazz singles sound when split compared to true singles? It's been my experience that hum canceling pups on guitars suffer a bit in terms of dynamics and high end relative to true singles. People probably wouldn't notice during a gig but for recording I can't help but think that true singles sound slightly better (assuming noise isn't a factor). Assuming that a true J is going to sound too wimpy and that a hum canceling J is going to sound like a poor imitation of a true J, I believe I'd rather just go the soapbar route.
2) How do side by side humbuckers like the NYC sound relative to stacked humbucking J pickups? I'm assuming pole placement makes a difference, as well as the fact that side by side humbuckers have more area exposed under the string and thus have a fuller, warmer tone than a stacked J.
Thanks.
I'm usually on the guitar forums as I'm a guitarist, but I'm trying out bass pups.
Although I play metal, I'm kind of weird in that I usually prefer passive low output bass pickups like a Fender 62 RI p bass set. I'd rather let the amp/plugin color my sound as opposed to dialing it in on the bass. I've tried stuff like the SPB3 and it's just too overwound and boomy for my tastes. Lower output stuff to me has more dynamics than overwound--sounds warmer--overall is just cleaner and more controlled, and the volume difference can be made up by the amp.
I'm looking for something that growls, maybe for fretless bass in the bridge position. I really like the sound samples of the NYC soapbars I've heard and I was wondering if anyone else has opinions on them.
Also, I have a couple other questions.
1) How do the hum canceling jazz singles sound when split compared to true singles? It's been my experience that hum canceling pups on guitars suffer a bit in terms of dynamics and high end relative to true singles. People probably wouldn't notice during a gig but for recording I can't help but think that true singles sound slightly better (assuming noise isn't a factor). Assuming that a true J is going to sound too wimpy and that a hum canceling J is going to sound like a poor imitation of a true J, I believe I'd rather just go the soapbar route.
2) How do side by side humbuckers like the NYC sound relative to stacked humbucking J pickups? I'm assuming pole placement makes a difference, as well as the fact that side by side humbuckers have more area exposed under the string and thus have a fuller, warmer tone than a stacked J.
Thanks.