Hello, Im a long time lurker and this is the topic thats been bugging me for a while - Im satisfied owner of older Edwards Les Paul that came with SD vintage blues set ('59 SH-1n + b) and generally these pickups are very versatile and they sound great, live and for recording, but recently Ive tried Antiquity set in my LP and it blew me away - 3D sound, string separation, note bloom and complex mids, and volume/tone sensitivity... Ive honestly thought that all shebang about PAF replicas, boutique or mainstream, is a matter of... C**k sniffing
So, Ive been bitten with a PAF bug. When recording, the difference is not that big, its in details - but live... Its just on another level. So my questions are:
Is it just Ants or is it same complexity with other PAF replicas - Pearly Gates, Seth Lover, BK Mules, Whizz, Throbak, Stephen Design, Winehams...
Does that complexity can be achieved with magnet swap?
Im thinking A2 or A4, since Im very into vintage type music and tone, playing mostly plugged straight into '69 Fender Deluxe Reverb.
Since Im from part of the world that PAF replicas are scarce and YT demoes dont do justice, and as I stated, main diference is live, not recorded - Im trying to get some info from exp. users
Is it just Ants or is it same complexity with other PAF replicas - Pearly Gates, Seth Lover, BK Mules, Whizz, Throbak, Stephen Design, Winehams...
Does that complexity can be achieved with magnet swap?
Im thinking A2 or A4, since Im very into vintage type music and tone, playing mostly plugged straight into '69 Fender Deluxe Reverb.
Since Im from part of the world that PAF replicas are scarce and YT demoes dont do justice, and as I stated, main diference is live, not recorded - Im trying to get some info from exp. users