ParameterMan
New member
For example, I'd like a variant on the Ross/script logo compressor. I find it to have a sweet spot on the sustain dial, and that varying the level hitting the front of the pedal controls the compression better. I also think the circuit sounds much better as designed, with a near zero attack time. So, my pedal would have three knobs:
The attack and sustain would be dialed in to their respective sweet spots. Two more switches might be nice:
Anything you'd like to see, or feature you find glaringly obvious but no one has implemented?
- An input gain trim, labeled "Squash"
- A dry blend knob, labeled "Attack"
- An output trim, labeled "Level"
The attack and sustain would be dialed in to their respective sweet spots. Two more switches might be nice:
- A toggle that reduces the circuit's sensitivity to low and high frequencies so as to be a little more perceptually balanced when using bassy pickups - basically ye olde Fletcher-Munson curve.
- A toggle that adds back some sparkle to the typically dark sound of that circuit.
Anything you'd like to see, or feature you find glaringly obvious but no one has implemented?