ICTGoober
New member
I have on my bench a 1996 Fender Custom Shop Relic Mary Kaye Strat... The neck on this thing is a POS. Not only does it exhibit a slight twist to the treble side up near the nut, but there is more bow on the treble side than the bass side. Doesn't seem to matter how tight the truss rod is - it just won't straighten out enough for easy playability. I was hoping to make it reasonable and then level the frets a bit to even things out so it would play well. Perhaps more time will yield a better result.
The neck screws had been tightened down so much the neck plate was bent (and dented the ash body), until the maple stripped out of the holes. Instead of repairing them sensibly, the holes were filled with paper and wood putty. And sometime in the past, some idiot tried to superglue the neck into the body. I was able to remove it from the neck pocket fairly easily, and then gently scraped it from the sides and bottom of the neck. I am now planning to redowel the neck screw holes in the maple using oversize oak dowels glued in with brown hide glue.
One thing I noticed was the strap button and felt washer were rusted solid on the butt of the guitar as though it had been standing in water. The countersink in the body would have allowed water to draw up into the grain of the ash - but there's no evidence of that. No swelling or crazing of finish in that area. Is it common for strap buttons and screws on Mary Kaye's to be reliced so badly they look nasty? The button on the upper horn looks almost new. Also, the gold plated jack cup was almost green. It cleaned up with a bit of metal polish and the relicing on it matches the rest of the hardware.
Any other luthiers, collectors, or players have some insight for me on this? I think I can eventually convince the neck to behave, but the relicing is throwing me off a bit. The clues I would normally use to diagnose a solution may be clouded by this treatment applied in the relicing process.
The neck screws had been tightened down so much the neck plate was bent (and dented the ash body), until the maple stripped out of the holes. Instead of repairing them sensibly, the holes were filled with paper and wood putty. And sometime in the past, some idiot tried to superglue the neck into the body. I was able to remove it from the neck pocket fairly easily, and then gently scraped it from the sides and bottom of the neck. I am now planning to redowel the neck screw holes in the maple using oversize oak dowels glued in with brown hide glue.
One thing I noticed was the strap button and felt washer were rusted solid on the butt of the guitar as though it had been standing in water. The countersink in the body would have allowed water to draw up into the grain of the ash - but there's no evidence of that. No swelling or crazing of finish in that area. Is it common for strap buttons and screws on Mary Kaye's to be reliced so badly they look nasty? The button on the upper horn looks almost new. Also, the gold plated jack cup was almost green. It cleaned up with a bit of metal polish and the relicing on it matches the rest of the hardware.
Any other luthiers, collectors, or players have some insight for me on this? I think I can eventually convince the neck to behave, but the relicing is throwing me off a bit. The clues I would normally use to diagnose a solution may be clouded by this treatment applied in the relicing process.
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