Re: pups for Gary Moore Still Got the Blues tone?
It is highly unlikely that Gary Moore used just one guitar and one amplifier set-up for an entire album. He owns (or could hire in) a wide range of LP Std, Jnr, Special and ES Thinline style instruments. Similarly, he has access to a wide range of amplification.
Since the ethos of the Still Got The Blues album was to recapture a mid-Sixties British blues boom vibe, we can reasonably assume that period-style amplification was used. Obvious candidates include the Marshall JTM45 (and its smaller cousins), assorted Selmers and small Fenders. I would not be surprised if there was a little bit of Marshall Plexi in there too. On the other hand, it would have been just as historically valid to run a fuzz pedal through a Pignose.
Even assuming that you replicate the Gary Moore guitar and amp collection, you still need to put them in the right room and point the right microphones at them. It is possible that Moore went so far as to use the old-fashioned methods of generating reverb. (i. e. A loudspeaker and a microphone at opposite ends of a corridor or a basement.)
Finally, as Aceman points out, to get really close to the SGTB tone, you need the touch of Mr. Moore. Since it is possible to tell Moore and his inspirations, Clapton and Green apart, it is reasonable to conclude that none of us is ever going to sound exactly like the next player, no matter how many decades we put into the attempt.