Replaced the stock pickups in my neon green M-50FR with a set of chrome covered Duncan Distortion Trembucker/DiMarzio Liquifire pickups. Also put in a treble bleed kit. Huge improvement in tone and clarity. So far very happy!
Back in the late 80's when I decided to become an electric guitarist it was a pair of neon (one orange and one green) Ibanez hanging in the window at the Conservatory Of Music store that pushed me into action,,,,,,but I could only afford a cheap black Memphis lol. Upgraded to a white/gold LP studio after a few months though.
Absolutely. I've seen many pros using LTDs for the stage.
Those neon Ibbys from the late 80s were like $699 new iirc, s-series I think. They might as well have been $10,000 for me at the time.
Replaced the stock pickups in my neon green M-50FR with a set of chrome covered Duncan Distortion Trembucker/DiMarzio Liquifire pickups. Also put in a treble bleed kit. Huge improvement in tone and clarity. So far very happy!
Can see that being a REALLY cool set up. I had a Sentient paired with an Alt 8 for a while and really liked that combo. The Liqufire is pretty similar to the Sentient a little darker and more compressed but is a really cool neck pickup. Have a Liquifire so know them well and like the DD overall a lot better than the Crunch lab so interested in you take having a set with both a Liquifire and the CrunchLab and now the DD also.
Absolutely. I've seen many pros using LTDs for the stage.
Those neon Ibbys from the late 80s were like $699 new iirc, s-series I think. They might as well have been $10,000 for me at the time.
So far I really like the combo. The DD with the cover is a little warmer sounding than the DD I have in my neon orange M-50FR without a cover. Still plenty aggressive, but a little warmer. Really nice and seems to work well with the Liquifire. I also like the Crunch Lab but it seems a bit smoother than the DD and it seems that the mids in the Crunch Lab are focused a little lower than the DD, but that could just be me.