I have completed a strat I've been working on for a while now, by installing a trio of quarterpounds with tap. Some pointers:
* The three QP's can be tapped under one push pull pot (using a 4PDT push pull pot by MEC)
* There's a master volume
* The middle pot is the tonepot for the middle pickup
* The lower pot is the tonepot for bridge and neck.
The body is swamp ash with a walnut top, the neck is a cocobolo/pau ferro laminate with a brazilian rosewood board.
Tonally, the QP's have a lot of output, for sure. Lots of mids, fairly powerful low end and a soft top end. When tapped, the EQ flips: lots of high end, tight low end albeit fairly weak and a dip in the midrange.
Unfortunately, the tones are just boring. I really don't get it, to be honest. Sometimes Seymour Duncan makes a pickup that's absolutely top notch, stellar and just amazing. But the majority of the strat pickups for example, are boring flat duds. Just some pickups that I tried, not nearly complete ofcourse.
Amazing pickups:
Jerry Donahue tele
54 rhythm tele
jb antiquity
jazz antiquity
antiquity pafs
PATB series (1, 2, 3)
SH6N
Fullshred
Screaming Demon
Slash Alnico 2 Pro
California strat set
Alnico 2 pro strat set
59/custom hybrid
Sentient
Pegasus
Fullshred neck
59 neck
Jazz bridge
Boring duds:
invader
regular JB
regular Jazz
Custom
Custom Custom
59 bridge
Hot strat SSL3
STK-4 classic stack plus
Jimi Hendrix set
Malmsteen set
I am starting to really feel a bit disappointed. So many just give a fairly decent tone but they lack sparkle, chime, depth. I have spoken about the custom series at length already.
Am I just too picky and demanding or do others feel that my complaint has some merits? Maybe it's just that I have started to crave lower output pickups with a gazillion more topend than what the lower half could offer?
Take it away, shoot holes in my hypothesis; discuss!
* The three QP's can be tapped under one push pull pot (using a 4PDT push pull pot by MEC)
* There's a master volume
* The middle pot is the tonepot for the middle pickup
* The lower pot is the tonepot for bridge and neck.
The body is swamp ash with a walnut top, the neck is a cocobolo/pau ferro laminate with a brazilian rosewood board.
Tonally, the QP's have a lot of output, for sure. Lots of mids, fairly powerful low end and a soft top end. When tapped, the EQ flips: lots of high end, tight low end albeit fairly weak and a dip in the midrange.
Unfortunately, the tones are just boring. I really don't get it, to be honest. Sometimes Seymour Duncan makes a pickup that's absolutely top notch, stellar and just amazing. But the majority of the strat pickups for example, are boring flat duds. Just some pickups that I tried, not nearly complete ofcourse.
Amazing pickups:
Jerry Donahue tele
54 rhythm tele
jb antiquity
jazz antiquity
antiquity pafs
PATB series (1, 2, 3)
SH6N
Fullshred
Screaming Demon
Slash Alnico 2 Pro
California strat set
Alnico 2 pro strat set
59/custom hybrid
Sentient
Pegasus
Fullshred neck
59 neck
Jazz bridge
Boring duds:
invader
regular JB
regular Jazz
Custom
Custom Custom
59 bridge
Hot strat SSL3
STK-4 classic stack plus
Jimi Hendrix set
Malmsteen set
I am starting to really feel a bit disappointed. So many just give a fairly decent tone but they lack sparkle, chime, depth. I have spoken about the custom series at length already.
Am I just too picky and demanding or do others feel that my complaint has some merits? Maybe it's just that I have started to crave lower output pickups with a gazillion more topend than what the lower half could offer?
Take it away, shoot holes in my hypothesis; discuss!
