ImmortalSix
John Mayer's Mankini
Any tips? My mic pre doesn't have phantom power, and I don't have a condenser mic right now anyways, so I am stuck with recording acoustic guitar (my 1998 Guild D30 with no electronics) with a dynamic mic (gasp! the horror!)
I also only have one input on my present mic pre, so I can't put two mics on the thing, just the one.
Anyways, any of you pros or giggers know any tricks for getting a good sound out of a dynamic mic on an acoustic guitar, or am I just straight up SOL? :laugh2:
This is the sound I got out of it last night: Realize cover, don't judge me!
Excuse the weird cutting in and out, my recording interface's buffer was experiencing problems last night, and gave me quite a few surprises while I was laying these down.
Recording is 3 tracks,
1) Guitar with EV N/D267 on axis aimed at the pickguard at a distance of 8" panned 40% left
2) Duplicate of Guitar with EV N/D267 on axis aimed at the pickguard at a distance of 8", but time shifted 1/100th of a second to the future and panned 60% right
3) Bass, center pan.
When making a real recording, I usually place a Neumann KM140 on axis at the 12th fret and another KM140 45 degrees off axis aimed at an imaginary dot 1.5" behind the bridge and mix the two signals. Regrettably, at present, I am not in a studio, but rather in my apartment without all the fancy equipment I used to have access to.
This recording has definite EQ deficiencies. I am wondering if anyone has some subtractive or additive EQ suggestions, mic placement suggestions, or anything else that can help me get a passable acoustic tone from a dynamic mic.
I also only have one input on my present mic pre, so I can't put two mics on the thing, just the one.
Anyways, any of you pros or giggers know any tricks for getting a good sound out of a dynamic mic on an acoustic guitar, or am I just straight up SOL? :laugh2:
This is the sound I got out of it last night: Realize cover, don't judge me!
Excuse the weird cutting in and out, my recording interface's buffer was experiencing problems last night, and gave me quite a few surprises while I was laying these down.
Recording is 3 tracks,
1) Guitar with EV N/D267 on axis aimed at the pickguard at a distance of 8" panned 40% left
2) Duplicate of Guitar with EV N/D267 on axis aimed at the pickguard at a distance of 8", but time shifted 1/100th of a second to the future and panned 60% right
3) Bass, center pan.
When making a real recording, I usually place a Neumann KM140 on axis at the 12th fret and another KM140 45 degrees off axis aimed at an imaginary dot 1.5" behind the bridge and mix the two signals. Regrettably, at present, I am not in a studio, but rather in my apartment without all the fancy equipment I used to have access to.
This recording has definite EQ deficiencies. I am wondering if anyone has some subtractive or additive EQ suggestions, mic placement suggestions, or anything else that can help me get a passable acoustic tone from a dynamic mic.
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