Hi All,
This is my first post here (please be gentle)
I'm looking to upgrade the pickups in my main guitar - a MIA 2007 Strat (Alder body, Maple 9.5" radius neck, 9-42 strings). Although the tone is OK in the Neck & Middle it's not exactly what I want and the Bridge lacks drive and seems, to my ears, too thin. Sadly I'm not a technical wizzard, so I need some help with p'up selection and setup.
My musical style is varied but is mainly Gilmour, Knopfler, Hendrix and some SRV, so I was originally looking at Fender CS69's in neck & middle with an Duncan SSL5 in the bridge BUT then I heard some comments about the current CS69's and also about problems using vintage staggered pole p'ups (like the SSL5) in the bridge pos'n on a 9.5" radius guitar - getting wolf notes etc.
So, what I'm now considering is:
Neck - Duncan Antiquity II Surfer
Middle - Duncan Antiquity II Surfer RW/RP
Bridge - Duncan SSL6 Custom Flat
I would like to use a CRL 5 way: Pos'n 1 - Bridge, 2 - Bridge/Middle (hum cancelling), 3 - Middle, 4 - Middle/Neck (hum cancelling), 5 - Neck. Using two 250k CTS Tone pots: Tone 1 wired to Neck/Middle and Tone 2 (a 'No Load' pot) wired to Middle/Bridge.
My questions are:
1) Will this pickup combination get me anywhere near the tone of my favourite players?
2) Will they work OK together in this configuration (regarding output/winding & polarity)?
3) What size/type capacitors should I look to use to achieve the right tones from these p'ups - would 0.047mf be OK for Tone 1 and 0.022 for Tone 2 (with the 'No Load' option)?
Any advice would be welcome.
Regards, Mark
PS: I'm going to add a Callaham solid steel trem block at the same time.
This is my first post here (please be gentle)
I'm looking to upgrade the pickups in my main guitar - a MIA 2007 Strat (Alder body, Maple 9.5" radius neck, 9-42 strings). Although the tone is OK in the Neck & Middle it's not exactly what I want and the Bridge lacks drive and seems, to my ears, too thin. Sadly I'm not a technical wizzard, so I need some help with p'up selection and setup.
My musical style is varied but is mainly Gilmour, Knopfler, Hendrix and some SRV, so I was originally looking at Fender CS69's in neck & middle with an Duncan SSL5 in the bridge BUT then I heard some comments about the current CS69's and also about problems using vintage staggered pole p'ups (like the SSL5) in the bridge pos'n on a 9.5" radius guitar - getting wolf notes etc.
So, what I'm now considering is:
Neck - Duncan Antiquity II Surfer
Middle - Duncan Antiquity II Surfer RW/RP
Bridge - Duncan SSL6 Custom Flat
I would like to use a CRL 5 way: Pos'n 1 - Bridge, 2 - Bridge/Middle (hum cancelling), 3 - Middle, 4 - Middle/Neck (hum cancelling), 5 - Neck. Using two 250k CTS Tone pots: Tone 1 wired to Neck/Middle and Tone 2 (a 'No Load' pot) wired to Middle/Bridge.
My questions are:
1) Will this pickup combination get me anywhere near the tone of my favourite players?
2) Will they work OK together in this configuration (regarding output/winding & polarity)?
3) What size/type capacitors should I look to use to achieve the right tones from these p'ups - would 0.047mf be OK for Tone 1 and 0.022 for Tone 2 (with the 'No Load' option)?
Any advice would be welcome.
Regards, Mark
PS: I'm going to add a Callaham solid steel trem block at the same time.
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