I don't think it would be such a bad idea for them to do something like the Fender ToneMaster with a bunch of "official" Marshall models.
Something higher end than the entry level Codes they have.
Honestly, I don't think adding more features to the MG line would be the way to go, IMO.They could update the MG line. USB. More effects, direct out, iOS & Android interface.....blah, blah, blah...
I don't think it would be such a bad idea for them to do something like the Fender ToneMaster with a bunch of "official" Marshall models.
Something higher end than the entry level Codes they have.
Yeah, you're right, that's the thing. I think a lot of today's players' experience with Marshall comes from using their models on their Axe FX/Quad Cortex/Helix/whatever.Or even a bunch of small amp-in-a-box pedals to go right into your computer. But yeah, something like a Dirty Shirley sounds better than any Marshall I've ever tried. And many new players' exposure to Marshall sounds are from a modeler that has dozens. I haven't played all of the Marshall models in my Fractal in real life, but it doesn't matter to me. So the company itself has an uphill battle.
If anything, they could use better cabinetry and/or speakers in the combos to GREATLY improve the sound of those. I've heard an MG100 head sound more than decent when run into a cab that's not undersized, made of compressed sawdust, and loaded with speakers powered by magnets that could be appropriately sized to power a guitar pickup rather than a speaker.
But then that would raise the price of the amps.
I think the downfall of the budget Marshall stuff is that: cheap speakers and cabinetry. The MX cabs aren't all that cheap, honestly. For the same amount of money, it's not so hard to find cabs from other companies made of plywood and loaded with better speakers. I hope they realize that under the new ownership.
Ah, yeah. I get you now. Sorry.
I think part of the reason why when Marshall tries to innovate it doesn't stick is because they mostly do it in their lower end models now. The JVM is the exception to the rule, that thing is a beast. But I remember that amp that had a digital front end and a budget tube poweramp. Everyone hated it. I'm not sure if it predated the Spider Valve, but it was basically the same thing.
I can also think of the Mode Four. Everyone hated that, but it wasn't so bad. It was just kind of pricey for what it was, and not very Plexi-sounding.
I know! That's what I meant to say. The Mode Four wasn't bad. I had one too. It was just not a traditional Marshall.... and to be honest, it was kind of expensive new for not being all-tube, but that's a whole other can of worms. I think those two factors influenced people and made it flop.Aw man.... You hurt my little feelings twice.
The mode 4 is an amazing amp. The only hate on it was because it tended to be finicky with speaker loads and blow up on occasion. And lots of old folks didn't like the numetal marketing of it .. It's kind of misunderstood by the masses and adored by those who know. Mine slays!
I've never really heard anyone hate on the JVM.... It's the best amp Marshall ever made. (Fact, not opinion ha ha ha)
I'm sorry, I didn't mean to talk down on your cab. Maybe they sound good. But it is built and comes with materials and speakers that are less expensive than what most "higher-end" cabs are made out of. Wether they make it work or not and sound good is up to whoever buys it. But new, those MX's pricings are not far off from an EVH 2x12 which is made out of more expensive materials and comes with more expensive speakers. I'm not going to open the debate on wether MDF is better or not. If you like your cab, I'm not going to tell you you're wrong. But if you go up in price just within the Marshall realm, they don't make the more expensive 1936 out of MDF. So that speaks as to which material Marshall themselves consider "better".My " sawdust " MX 2x12 is the best-sounding cab I own, and I have a ton of cabs made of everything from birch to pine. High-end stereo speakers have been using engineered wood for years. Modern studio monitors are now made with plastic or engineered wood. The reason less expensive cabs sounded bad in the past was cheaper design and construction, not the materials. Most important in a cab is a rigid baffle that keeps the speaker from rattling the entire cab. If that is accomplished you are getting the true sound of the speaker. I do agree the lower-end Marshalls would benefit from a speaker upgrade.
Again, I apologize if I was condescending/sarcastic on my last post, but my point is, OK, maybe they do sound good. But I think they make them and then price in such a way that makes them not be all that competitive if you're buying one new.