Hey there, hoping those who have experiences with these pickups can help me make up my mind on the right combo. Looking for ballsy classic rock tones, easy pinch harmonics, a little nasty when I need it. Playing through a Fender '65 Deluxe Reverb RI, with Marshall Bluesbreaker I pedal for dirt:
In a Les Paul Studio Lite (note: ebony fretboard and "chromyte" block core):
- Gibson 500T and Pearly Gates(b) in neck position - this is what I've got now, and while I really dig the PGb in the neck position, I'm wondering if I can get something a little more "defined" in the bridge position in place of the 500T. The 500T is ballsy as hell, and I've been able to adjust the pickup heights and polepiece heights to get a balanced output from the two pickups.
OR
- Pearly Gates(b) and '59 SH-1
OR
- SH-14 Custom 5(b) and Pearly Gates(b) in neck position
OR
- SH-14 Custom 5(b) and '59 SH-1
I had the SH-14 Custom 5 in another guitar and the mids seemed really scooped - I'm wondering now, though if the tone pot may have been stifling the output/tone.
I have yet to try the '59 SH-1n in anything, but I've heard they can be boomy in LP's. My LP is a little bright as far as LP's go, so maybe this won't be an issue?
Oh, and whatever I end up with, I'd like to have the nickel covers on, as I prefer the look on this particular guitar.
I know I just need to experiment, but I'm kind of hoping I can get it "close to right" with as few swaps as possible. Thanks in advance!
In a Les Paul Studio Lite (note: ebony fretboard and "chromyte" block core):
- Gibson 500T and Pearly Gates(b) in neck position - this is what I've got now, and while I really dig the PGb in the neck position, I'm wondering if I can get something a little more "defined" in the bridge position in place of the 500T. The 500T is ballsy as hell, and I've been able to adjust the pickup heights and polepiece heights to get a balanced output from the two pickups.
OR
- Pearly Gates(b) and '59 SH-1
OR
- SH-14 Custom 5(b) and Pearly Gates(b) in neck position
OR
- SH-14 Custom 5(b) and '59 SH-1
I had the SH-14 Custom 5 in another guitar and the mids seemed really scooped - I'm wondering now, though if the tone pot may have been stifling the output/tone.
I have yet to try the '59 SH-1n in anything, but I've heard they can be boomy in LP's. My LP is a little bright as far as LP's go, so maybe this won't be an issue?
Oh, and whatever I end up with, I'd like to have the nickel covers on, as I prefer the look on this particular guitar.
I know I just need to experiment, but I'm kind of hoping I can get it "close to right" with as few swaps as possible. Thanks in advance!