What's a good set of pickups that you don't see too many people using, not because of cost or availability, but because of lack of advertising or poor branding?
For Seymour Duncan - Screamin Demon neck, OG Diablo bridge. I've never tried one myself, but one of my guitar slinging coworkers is having a whale of a time with this pairing in his Charvel HH. He says the neck pickup (Screanin Demon) is just the right balance to where it's got subdued highs but isn’t dark and is thick but not boomy. He says the bridge is a perfect bridge between PAF and hot humbucker. I'll probably get a chance to play them this weekend on a Bluesbreaker.
For Dimarzio - Bluesbucker neck, Super Distortion bridge. These aren't rare pickups, but you never see them side by side and they both have a degree of misunderstanding around them. Tone snobs don't like that the Bluesbucker isn't a "true" P90 and harder genre fans see the specs and name and get turned off to it pretty quickly. The Super Distortion is kind of the same. People who do lower gain genres get spooked because they think it's an obnoxious over the top loud pickup that'll have no treble or dynamics. And people who do higher gain genres won't like it because it was invented in the 70s. In reality I really like this pairing anf think it can do just about any genre in my Les Paul. My main focuses are proto-metal and Nashville style old country, and this can do both well.
For Seymour Duncan - Screamin Demon neck, OG Diablo bridge. I've never tried one myself, but one of my guitar slinging coworkers is having a whale of a time with this pairing in his Charvel HH. He says the neck pickup (Screanin Demon) is just the right balance to where it's got subdued highs but isn’t dark and is thick but not boomy. He says the bridge is a perfect bridge between PAF and hot humbucker. I'll probably get a chance to play them this weekend on a Bluesbreaker.
For Dimarzio - Bluesbucker neck, Super Distortion bridge. These aren't rare pickups, but you never see them side by side and they both have a degree of misunderstanding around them. Tone snobs don't like that the Bluesbucker isn't a "true" P90 and harder genre fans see the specs and name and get turned off to it pretty quickly. The Super Distortion is kind of the same. People who do lower gain genres get spooked because they think it's an obnoxious over the top loud pickup that'll have no treble or dynamics. And people who do higher gain genres won't like it because it was invented in the 70s. In reality I really like this pairing anf think it can do just about any genre in my Les Paul. My main focuses are proto-metal and Nashville style old country, and this can do both well.