Brett Valentine
New member
Okay, I've got a Custom Custom lying around, ready to install in my Carvin DC400T (Maple neck, ebony fingerboard, mahogany/maple cap body, Wilkinson Trem, bypassable preamp).
After trying the CC in the Brian Moore (with an APH-1n), I decided it's new home would be in the Carvin's bridge. WHat I'd found with that guitar is that I liked the tone better when I rolled the active treble and bass down and brought out the mids. The M22's while hot, tend to lack expressive dynamics as a consequence and tend to be more "hi-fi" sounding to my ears.
Now, on the other hand, I was so taken by the contrast between the APH-1 neck and the PG bridge on the same guitar that I'm wondering if it would be better to go with something in the neck that has more "clarity" to it's warmth.
The guitar reacted well to the Boogie, but always seemed to lack a defineable, recognizable character. I need something with some middle warmth but enough of a contrast with the CustomCustom.
I'm thinking the Jazz might be just a bit too quiet, a JB might be too edgy. . . First thoughts have me possibly leaning towards a 4 wire '59 or a Pearly Gates (all neck p/u's).
Ampwise, I mentioned the Boogie Mk4 widebody, a Fender Stage 112SE, a POD (praise band).
Pedalboard gain stages: BOSS CS-3 Compression Sustainer, Marshall ED-1 compressor, Fulltone FullDrive 2, Distortion Pro (soon to be replaced by a Barber LTD), FatBoost, ZVEX SHO (with the FullDrive2, Dist. Pro and FatBoost on, I can hear a distinct difference between the APH-1 and PG on the Brian Moore. I couldn't hear any difference between the APH-1 and the CC).
Any and all suggestions welcome (and I've got to tell you that half the fun of Duncan p/u's is getting to come here and hang with y'allz so suggest away),
Brett
After trying the CC in the Brian Moore (with an APH-1n), I decided it's new home would be in the Carvin's bridge. WHat I'd found with that guitar is that I liked the tone better when I rolled the active treble and bass down and brought out the mids. The M22's while hot, tend to lack expressive dynamics as a consequence and tend to be more "hi-fi" sounding to my ears.
Now, on the other hand, I was so taken by the contrast between the APH-1 neck and the PG bridge on the same guitar that I'm wondering if it would be better to go with something in the neck that has more "clarity" to it's warmth.
The guitar reacted well to the Boogie, but always seemed to lack a defineable, recognizable character. I need something with some middle warmth but enough of a contrast with the CustomCustom.
I'm thinking the Jazz might be just a bit too quiet, a JB might be too edgy. . . First thoughts have me possibly leaning towards a 4 wire '59 or a Pearly Gates (all neck p/u's).
Ampwise, I mentioned the Boogie Mk4 widebody, a Fender Stage 112SE, a POD (praise band).
Pedalboard gain stages: BOSS CS-3 Compression Sustainer, Marshall ED-1 compressor, Fulltone FullDrive 2, Distortion Pro (soon to be replaced by a Barber LTD), FatBoost, ZVEX SHO (with the FullDrive2, Dist. Pro and FatBoost on, I can hear a distinct difference between the APH-1 and PG on the Brian Moore. I couldn't hear any difference between the APH-1 and the CC).
Any and all suggestions welcome (and I've got to tell you that half the fun of Duncan p/u's is getting to come here and hang with y'allz so suggest away),
Brett
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