oilpit
New member
Playing guitar used to be like my entire life when I was younger, I spent all my time, money, etc on it (including being *very* active on this and several other forums). However unfortunately it's been about two years since I've really played hardly at all, between school and currently in the middle of trying to get my British fiancee American citizenship I just haven't had the time.
But the last weekend I had the whole day free and I decided to completely overhaul my main guitar, a 1959 Gibson Les Paul reissue. I stripped it all down, cleaned everything up, set it up, totally replaced the wiring, and I also threw a Custom 5/Jazz set in it.
I've always been *very* traditional about the pickups that go in this guitar. For the longest time it had some really high end boutique PAFs that I got years ago I don't even remember who made them. Then up until last week it had a Seth Lover/Brobucker (amazing combo in a Les Paul btw).
So it was a big departure for me to get a high output bridge pickup and a non-PAF neck pickup. And OH BOY do I love it.
The Custom 5 is fantastic, really great, punchy, aggressive bridge pickup that screams. But the real star of the show is the Jazz in the neck. I know that the it's usually paired with a JB in superstrat style guitars but in the neck of my Les Paul this pickup has a vocal tone like I have never heard out of a neck pickup. It's a really bright, clear pickup so the neck position of a giant chunk of mahogany and rosewood is just perfect.
With the tone at half way you can get a great Slash neck solo tone. Tone all the way up and you've got this crazy harmonic rich upper midrange that just sounds and feels incredible.
I'm not sure if I'm late to the party and this is common knowledge, but anybody with a Les Paul that wants to try something new should definitely consider the SH-2!
But the last weekend I had the whole day free and I decided to completely overhaul my main guitar, a 1959 Gibson Les Paul reissue. I stripped it all down, cleaned everything up, set it up, totally replaced the wiring, and I also threw a Custom 5/Jazz set in it.
I've always been *very* traditional about the pickups that go in this guitar. For the longest time it had some really high end boutique PAFs that I got years ago I don't even remember who made them. Then up until last week it had a Seth Lover/Brobucker (amazing combo in a Les Paul btw).
So it was a big departure for me to get a high output bridge pickup and a non-PAF neck pickup. And OH BOY do I love it.
The Custom 5 is fantastic, really great, punchy, aggressive bridge pickup that screams. But the real star of the show is the Jazz in the neck. I know that the it's usually paired with a JB in superstrat style guitars but in the neck of my Les Paul this pickup has a vocal tone like I have never heard out of a neck pickup. It's a really bright, clear pickup so the neck position of a giant chunk of mahogany and rosewood is just perfect.
With the tone at half way you can get a great Slash neck solo tone. Tone all the way up and you've got this crazy harmonic rich upper midrange that just sounds and feels incredible.
I'm not sure if I'm late to the party and this is common knowledge, but anybody with a Les Paul that wants to try something new should definitely consider the SH-2!
Last edited: