flank said:Who's tried wiring their tele with the option of the pickups in series? How would you describe the tone? Hows it differ from the normal middle position sound?
Zhangliqun said:I've wired my Strat so I could get the bridge and neck in series with a push/pull so it's a very similar concept to Tele pickups in series.
It made more sense when I had 6.5k bridge and 6.3k neck Fat 50's in there, but since I rewound bridge and neck to be 10.7 and 9.1k, it's a little too dark and too loud relative to the other settings.
On the bright side, it's enough power that bridge/neck in parallel has plenty of punch.
ArtieToo said:I've done a similar thing with my Strat, except that I used bridge and middle. Since both those pups are "tapped", I have my switch set such that when I activate it, the middle and bridge go into series while also tapped. That keeps the output level copacetic with the singles and still gives me that nice "phat" humbucker tone.
Its an almost perfect Fat Strat solution, while retaining traditional 3-singles Strat tones. (Perfect to me, that is.)
Artie
Edit: Also, since the 5-way still functions as normal, I can select the #2 notch position and have the neck single with the middle/bridge hybrid-humbucker.
Fresh_Start said:This may be obvious, but don't forget that you have to "lift" the shielding ground from it's connection to one of the pup's ground wires. The neck pup's shield or (and) the bridge pup's baseplate both need to be connected directly to ground. However, the ground wire from one pup has to be connected to the hot lead from the other to get series. Normally the shield/baseplate is just wired to the pickup's ground lead. Now you have to wire it independently to your ground for whichever pickup is "on top" in the series.
Hope this helps.
Chip
Zhangliqun said:Maybe I'm not understanding you but we're talking single coils, not humbuckers.
Zhangliqun said:Mine are tapped too, at 7.7 and 7.4, but it's still too dark in series to my ear.
ArtieToo said:Thats what I expected out of mine. I think that part of the reason I didn't hear it that way was because I was using an SSL-6 and an SSL-3 to start with. They measure 13k and 16.4k respectively. Each one, on its own, is stronger than many 'buckers to begin with. So the "series-tapped" mode, (6k + 8.8k, for a total of 14.8k), didn't really get any "darker".
Oddly, the difference in tone between both full-parallel, and series-tapped, isn't that dramatic. I'm not sure why.
Artie