TwilightOdyssey
Darkness on the edge of Tone
There's so much talk of the perfect pickup, and it got me to thinking.
There really are only 2 kinds of pickups:
#1. Pickups that will allow the natural tone, resonance, and harmonics of the guitar you are playing to come out, amplified, but unchanged.
#2. Pickups that will alter the perceived tone, resonance, and harmonics of the guitar you are playing, in order to colour it tonally to be more of something you hear in your head.
There really is no right or wrong, tho for my taste, I love the tone of all my guitars, and am more interested, personally, in #1.
You see threads all the time from people wanting their Strat to sound more like a Les Paul, and some who want to get more of twang from their Paul, and all too often (to me), someone with a cheap as free guitar looking to improve the "tone" of their crappy wood + cast molded steel.
The worst sort, or the most lost, I should say, are those that feel that by getting a certain brand name, that they are on the road to tonal Nirvana. "As long as it's a [insert name here], I'll be fine." Of course, that boarders more on the psychology of marketing, but what the heck -- it's my thread!!
Oftentimes, I think it's a matter of improving the guitar and amp, and then, once you have something you're totally happy with, then seeking to eek out the last nuances from the instrument. That's just my opinion, tho.
So, there ya have it, folks. Discuss.
There really are only 2 kinds of pickups:
#1. Pickups that will allow the natural tone, resonance, and harmonics of the guitar you are playing to come out, amplified, but unchanged.
#2. Pickups that will alter the perceived tone, resonance, and harmonics of the guitar you are playing, in order to colour it tonally to be more of something you hear in your head.
There really is no right or wrong, tho for my taste, I love the tone of all my guitars, and am more interested, personally, in #1.
You see threads all the time from people wanting their Strat to sound more like a Les Paul, and some who want to get more of twang from their Paul, and all too often (to me), someone with a cheap as free guitar looking to improve the "tone" of their crappy wood + cast molded steel.
The worst sort, or the most lost, I should say, are those that feel that by getting a certain brand name, that they are on the road to tonal Nirvana. "As long as it's a [insert name here], I'll be fine." Of course, that boarders more on the psychology of marketing, but what the heck -- it's my thread!!
Oftentimes, I think it's a matter of improving the guitar and amp, and then, once you have something you're totally happy with, then seeking to eek out the last nuances from the instrument. That's just my opinion, tho.
So, there ya have it, folks. Discuss.