End cutter flush cut
used to remove frets and trim the ends
Crowning file
Used to make those ball ends and re Crowning after leveling
Plastic faced small hammer
For setting the fret
Small hand files for doing the edges
If you don't do ball end.
Use diamond files if you are installing SS frets
Radius wheels
to get the wire radiused before sizing
you may be able to do this by hand with practice
But you Are here asking so you probably wont have time to practice
Leveling block
Polishing
Maybe a soldering iron to heat the fret for removing
I would seriously consider getting an arbor press and cauls for different radii instead of hammering frets in. So much time saved
Arbor press and cauls cost too much. Leave them for production situations, not the occasional job.
I've been fretting and refretting since 1977. I use a copper hammer to seat the frets. Use a 3 cornered file to put a slight bevel on the slots to ease the fret nibs into the board. If you decide to glue them down, use Titebond for light colored woods, hide glue for dark.
not really, I mean compared to a hammer, sure, I guess. But if I was gonna do one refret a month for money, a harbor freight press and a selection of $4 inserts from Philly luthiery supply are well, well worth it imo. It'll pay for itself in 1 or 2 refret jobsArbor press and cauls cost too much. Leave them for production situations, not the occasional job.
I've been fretting and refretting since 1977. I use a copper hammer to seat the frets. Use a 3 cornered file to put a slight bevel on the slots to ease the fret nibs into the board. If you decide to glue them down, use Titebond for light colored woods, hide glue for dark.
maybe this then
the fret setter
https://a.co/d/agswP10
if you want the balled end frets on the stainless wire
then you should get the rotatory tool that has the
maybe this then
the fret setter
https://a.co/d/agswP10
if you want the balled end frets on the stainless wire
then you should get the rotatory tool that has the
Semi-hemispherical fret ends are just luthiers showing off to other luthiers. There is no advantage beyond looking nice, and most players don't even notice unless it's pointed out.