Jackson Distortion
New member
We all know that owning and playing a guitar is a personal experience and one size truly doesn't fit all. But, if you are going to approach the guitar from your own perspective, what are three things a guitar must have before you could even consider playing it?
**Hopefully, we can avoid the snarky responses like, "Strings,...". We're gonna assume all of the necessary things are already in place. But, what you can do is be specific about those things if those really are important to you.
The Top 3 things I've gotta have for me to really feel good about playing are (in order of importance):
1. Bright Body - What I mean by that is there must be a brightening agent on the body - whether it be the wood itself or a particulary bright-sounding bridge. I like cutting tones and bodies that are dull-sounding by comparison really kill my brain and I become less inspired to play. Maple has been my favorite option so far to achieve the desired result.
2. Short Scale - I've switched over (perhaps permanently) to short scale (aka Gibson scale) guitars after years of playing long scale (aka "Fender" scale) guitars. I prefer playing fatter strings and guitars with this scale accept a starting string gauge of 10's in standard tuning better than long scale axes do IME. Plus, when going into a bright amplifier using a short scale guitar, the top end of it isn't harsh typically and that allows you to be able to use more treble at the amp for more cut and bite.
3. "Pointy" - The way a guitar looks is just as important to me as the actual things that make the guitar a guitar. So-called "pointy" axes look very cool to me and for me to feel whole as a player, my guitars have to look (and sometimes be) dangerous.
**Hopefully, we can avoid the snarky responses like, "Strings,...". We're gonna assume all of the necessary things are already in place. But, what you can do is be specific about those things if those really are important to you.
The Top 3 things I've gotta have for me to really feel good about playing are (in order of importance):
1. Bright Body - What I mean by that is there must be a brightening agent on the body - whether it be the wood itself or a particulary bright-sounding bridge. I like cutting tones and bodies that are dull-sounding by comparison really kill my brain and I become less inspired to play. Maple has been my favorite option so far to achieve the desired result.
2. Short Scale - I've switched over (perhaps permanently) to short scale (aka Gibson scale) guitars after years of playing long scale (aka "Fender" scale) guitars. I prefer playing fatter strings and guitars with this scale accept a starting string gauge of 10's in standard tuning better than long scale axes do IME. Plus, when going into a bright amplifier using a short scale guitar, the top end of it isn't harsh typically and that allows you to be able to use more treble at the amp for more cut and bite.
3. "Pointy" - The way a guitar looks is just as important to me as the actual things that make the guitar a guitar. So-called "pointy" axes look very cool to me and for me to feel whole as a player, my guitars have to look (and sometimes be) dangerous.
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