seafoamer said:True! Did I pass???
Blueline said:what i know is that for a while - i think late 80s early 90s
fender was using poor poplar bodies and putting thin alder laminates on the otp and backsof their burst finishes - you can tell because they were covering the glueline around the outside of the body with a very thick outer burst color
Blueline said:what i know is that for a while - i think late 80s early 90s
fender was using poor poplar bodies and putting thin alder laminates on the otp and backsof their burst finishes - you can tell because they were covering the glueline around the outside of the body with a very thick outer burst color
Thames said:I have an early 90 Strat Plus, sounds incredible, and that belly contour is all black, however, I can see its a 3-piece alder body.
dr.barlo said:sure they use better looking wood, but that does not mean it's gonna sound better.
Curly said:that's the bottom line
during the 60s, sunbursts were the standard finish on Fenders ... they bleached the alder to smooth out differences in coloration, then prepped the bodies the same
if a burst didn't turn out right, the body was used for a solid custom color ... some of the custom color strats now show the burst underneath if there are wear spots
just think - in the old days, a custom color ( and there was a fairly good selection) was listed as a 5% upcharge. Try getting a custom color now! I've heard it automatically becomes a "Custom Shop" order![]()
Gearjoneser said:I used to buy American Strats, use them, and sell them, just to always have a different colors. It was then that I noticed how some strats just sound dead, and others have a nice resonant ring to them, when you put your ear to the upper horn.
I usually stay away from any painted guitar where I can see the seam through the paint. It's a bad sign. In my experience, sunburst alder sounds the best to me.