L
Lewguitar
Guest
Just some thoughts.
My buddy AJ and I climbed Green Mountain in Boulder yesterday and had our usual talk about our latest gear, insights, etc.
AJ pointed out that when Stevie Ray would switch to a solo and click on his TS-808 that his tone would change but not to the degree that it changes when
most folks stomp on their TS-808.
I pointed out that Stevie Ray recorded with multiple amps and maybe he didn't have the TS-808 going through all of his amps and so what we might be hearing is the TS-808 mixed with another amp that doesn't have the TS-808 plugged into it.
Which brings us to the Voodoo Lab Sparkle Drive. The Sparkle Drive is a TS-808 with one extra knob that blends in a clean signal with the overdriven signal.
I would guess that the Sparkle Drive splits the guitar signal at the input, takes half of the signal and feeds it through the TS-808 circuit and leaves the other half "clean".
Then the two signals (one distorted and one clean) are blended back together again with the fourth control on the Sparkle Drive.
If my theory that SRV may have blended an amp overdriven with a TS-808 with a clean amp when he recorded, then the Sparkle Drive is doing something similar.
All just theory! I dunno if SRV did that when he recorded or not - but I will say that it sounds like it.
Lew
My buddy AJ and I climbed Green Mountain in Boulder yesterday and had our usual talk about our latest gear, insights, etc.
AJ pointed out that when Stevie Ray would switch to a solo and click on his TS-808 that his tone would change but not to the degree that it changes when
most folks stomp on their TS-808.
I pointed out that Stevie Ray recorded with multiple amps and maybe he didn't have the TS-808 going through all of his amps and so what we might be hearing is the TS-808 mixed with another amp that doesn't have the TS-808 plugged into it.
Which brings us to the Voodoo Lab Sparkle Drive. The Sparkle Drive is a TS-808 with one extra knob that blends in a clean signal with the overdriven signal.
I would guess that the Sparkle Drive splits the guitar signal at the input, takes half of the signal and feeds it through the TS-808 circuit and leaves the other half "clean".
Then the two signals (one distorted and one clean) are blended back together again with the fourth control on the Sparkle Drive.
If my theory that SRV may have blended an amp overdriven with a TS-808 with a clean amp when he recorded, then the Sparkle Drive is doing something similar.
All just theory! I dunno if SRV did that when he recorded or not - but I will say that it sounds like it.
Lew