Sirion
Well-known member
I might be in the market for one (or perhaps even two) custom necks in the next couple of years. Over time I have grown more and more towards two things: thin, small necks and unfinished birdseye maple. I used to like bigger necks, despite having relatively small hands, but in recent years I have been more attracted to ones where I have to struggle less. I have long loved unfinished necks, and birdseye particularly so. There is just nothing I've tried that feels as fast and smooth, and at the time being a combination of the two feels like heaven.
It is, however, also perhaps the most volatile combination in all of guitar-neckdom, or so the general consensus seems to be, Warmoth notwithstanding. One obviously does not want a premium neck to go bad later on, and I was therefore wondering what might be done to minimise the risk that the neck will warp.
Some ideas:
Three-piece neck, middle part with grain in reverse
Separate fingerboard (pretty obvious but mentioned for completion)
Baked wood
Carbon rods
Any other suggestions? I am in general more committed to the feel of the neck than to vintage construction methods.
It is, however, also perhaps the most volatile combination in all of guitar-neckdom, or so the general consensus seems to be, Warmoth notwithstanding. One obviously does not want a premium neck to go bad later on, and I was therefore wondering what might be done to minimise the risk that the neck will warp.
Some ideas:
Three-piece neck, middle part with grain in reverse
Separate fingerboard (pretty obvious but mentioned for completion)
Baked wood
Carbon rods
Any other suggestions? I am in general more committed to the feel of the neck than to vintage construction methods.