STRATDELUXER97
Stratoblaster Tone Meister
Last night I brought my Marshall V30 4x12 cab to practice and used it with my new Vox Valvetronix 120 watt stereo head..The amp was run in stereo through the cab...
All of the presets that I had dialed in sounded absolutely amazing before the whole band started playing...What I'm finding in my situation(We play classic rock mostly)is this:
The Fender 4x10 and BF 2x12 tones always save the day for me,simply because the tone is ballsy and the mids sit perfect in our bands mix...I have to use either my modded Tube Screamers(Which are alot gainier)or my Marshall JackHammer to get the crunch and gain I need....The 4x10 59 Bassman settings were perfect as are the 2x12 BF settings with pedals...The mids and lows were where I wished I could get these 2 Marshall presets!
The SLO 100 setting was great for higher gained tones and it sounded great for Neil Young's "Cinamon Girl" that we do...
Now here's my dilemma with this amp....My 2 most needed Classic Rock presets refuse to sit right in the tone and mix in my band....The "Plexi" and JCM800(UK 80s)tones don't have the correct sounding mids and both of these models seem thin and lack lower mids and that extra "girth" I like with my Marshall tones...The "Plexi" setting with the bass and mids pegged is still not right in the mids and lower mids...First I used my Love Rock Les Paul copy that has a 59 in the neck and an A2 "Hybrid" in the bridge..The middle and neck tones sound pretty good,but the bridge tones I hated! It's almost like I wished I could get the bridge position tone to be closer to the middle and neck tones!
Next I played my strat that has a Texas Hot in the bridge and Surfer middle and neck...The strat tones with both Marshall models was the same in the bridge position or worse as far as the tinny balls lacking tones I heard...
During break,my bass player and I dialed up the 59 Bassman tone and it really got everything I needed the rest of our practice....It had nice lows,was clean with just a bit of breakup with the gain maxed and yet I could roll my guitar volume back and get a nice clean tone with articulation...I added a bit of reverb and life was really good with this preset to cop the early Marshall vibe..
I haven't tryed the Marshall JTM 45 setting on the amp,but I get the feeling this might work pretty similar to the 4x10 Bassman setting,seeing as they are both the same amp basically?
The Vox AC30 and AC30 TBX settings are excellent and I used a really nice overdriven AC30 TBX setting I created for some older Bowie stuff we do..."Rebel Rebel" and "Ziggy Stardust"...This preset gives you that great smooth overdriven class A crunch and it really retains good note definition(Even with the Les Paul) great stuff in this amp...
The Marshall "Plexi" UK 70S and JCM 800 (Uk 80s) models need an eq to be brought around for me to use them though...They just don't sound right...You really need to have a Marshall to get these tones...People don't realize how complex the mids and crunch is on a Marshall and it isn't the easiest amp to copy....
I think a Boss GE-7 placed in the effects loop of this head would make those tones alot better,but at least there are several ways to get great overdriven tones..I haven't tryed the UK 90s JCM 900 or the US High Gain (DSL) models yet? I Loved the DSL amp plugged into a Marshall 4x12 at Sam Ash when it came out,so maybe this model would be great also?
The built in Univibe is excellent,as is the hall effect, spring reverb,and delay and Tape Echo effects....The guys thought I was using my Fulltone Deja Vibe for the Robin Trower "Day Of The Eagle" tune at the end of the night and they were suprised when I showed them that the Deja Vibe wasn't even hooked up last night on my board...The Univibe effect alone these days can easily run you over $200 to have....
For $600 I'm very happy!
All of the presets that I had dialed in sounded absolutely amazing before the whole band started playing...What I'm finding in my situation(We play classic rock mostly)is this:
The Fender 4x10 and BF 2x12 tones always save the day for me,simply because the tone is ballsy and the mids sit perfect in our bands mix...I have to use either my modded Tube Screamers(Which are alot gainier)or my Marshall JackHammer to get the crunch and gain I need....The 4x10 59 Bassman settings were perfect as are the 2x12 BF settings with pedals...The mids and lows were where I wished I could get these 2 Marshall presets!
The SLO 100 setting was great for higher gained tones and it sounded great for Neil Young's "Cinamon Girl" that we do...
Now here's my dilemma with this amp....My 2 most needed Classic Rock presets refuse to sit right in the tone and mix in my band....The "Plexi" and JCM800(UK 80s)tones don't have the correct sounding mids and both of these models seem thin and lack lower mids and that extra "girth" I like with my Marshall tones...The "Plexi" setting with the bass and mids pegged is still not right in the mids and lower mids...First I used my Love Rock Les Paul copy that has a 59 in the neck and an A2 "Hybrid" in the bridge..The middle and neck tones sound pretty good,but the bridge tones I hated! It's almost like I wished I could get the bridge position tone to be closer to the middle and neck tones!
Next I played my strat that has a Texas Hot in the bridge and Surfer middle and neck...The strat tones with both Marshall models was the same in the bridge position or worse as far as the tinny balls lacking tones I heard...
During break,my bass player and I dialed up the 59 Bassman tone and it really got everything I needed the rest of our practice....It had nice lows,was clean with just a bit of breakup with the gain maxed and yet I could roll my guitar volume back and get a nice clean tone with articulation...I added a bit of reverb and life was really good with this preset to cop the early Marshall vibe..
I haven't tryed the Marshall JTM 45 setting on the amp,but I get the feeling this might work pretty similar to the 4x10 Bassman setting,seeing as they are both the same amp basically?
The Vox AC30 and AC30 TBX settings are excellent and I used a really nice overdriven AC30 TBX setting I created for some older Bowie stuff we do..."Rebel Rebel" and "Ziggy Stardust"...This preset gives you that great smooth overdriven class A crunch and it really retains good note definition(Even with the Les Paul) great stuff in this amp...
The Marshall "Plexi" UK 70S and JCM 800 (Uk 80s) models need an eq to be brought around for me to use them though...They just don't sound right...You really need to have a Marshall to get these tones...People don't realize how complex the mids and crunch is on a Marshall and it isn't the easiest amp to copy....
I think a Boss GE-7 placed in the effects loop of this head would make those tones alot better,but at least there are several ways to get great overdriven tones..I haven't tryed the UK 90s JCM 900 or the US High Gain (DSL) models yet? I Loved the DSL amp plugged into a Marshall 4x12 at Sam Ash when it came out,so maybe this model would be great also?
The built in Univibe is excellent,as is the hall effect, spring reverb,and delay and Tape Echo effects....The guys thought I was using my Fulltone Deja Vibe for the Robin Trower "Day Of The Eagle" tune at the end of the night and they were suprised when I showed them that the Deja Vibe wasn't even hooked up last night on my board...The Univibe effect alone these days can easily run you over $200 to have....
For $600 I'm very happy!
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